AIRCHECK OF THE WEEK: REMEMBERING CLARK REID

A MCRFB salute to a great Detroit radio legend: Clark Reid

 

 

 

 


A Young Clark Reid behind the microphone on WJR circa the early-1950s (photo courtesy from Clark Reid’s son, Tim Fox Reid).
A Young Clark Reid behind the microphone on WJR circa the early-1950s. (Photo courtesy from Clark Reid’s son, Tim Fox Reid)

 

Clark Reid's official personality photo from WJBK Radio 15 (click image for larger view).
Clark Reid’s official personality photo from WJBK Radio 15 from 1963 (click image for larger view).

Clark Reid on WJR-AM 760 and WJBK-AM 1500 (Click on for audio play)

 

Well, Jimmy Durante is still funny — television, they got them every place you go. No one listens to radio anymore. You sit in saloons and watch television. …

 

 

A long time ago in the early 1950s, there was WJR. And then there was WJBK. And there he was. Clark Reid earlier on WJR and later on WJBK radio here in Detroit.

Clark Reid. A name as enigmatic as WJBK. A name as synonymous as to what classic Detroit radio was all about, as it were, during the 1950s through the early 1960s here in the Motor City.

Clark Reid introduced himself to Detroit radio way back in 1952, when he first opened the studio microphones on local CBS-affiliate WJR.  New in town at the time, Clark made his way north into Detroit from Akron, Ohio. Formerly from Akron’s WAKR, Clark once held the distinction of having replaced the legendary Alan Freed on that station, who moved over to Cleveland’s WJW to launch his legendary “Moondog” shows.

At WJR, Reid was first hired as a personality for the all-night show. While the station’s day-part policy was strictly delegated sustaining CBS network programming and local community fare, Clark was given complete control and freedom in selecting whatever music he wanted to play, so long as it was from the extensive record library at WJR.

One of the highlights of his early days at WJR was on Thursday nights when Reid was doing his “all-request” shows. With the station’s towering 50,000-watt signal, letters of requests would pour in from all over the country. It was “an important show to get a record played on,”Clark once said, as he was constantly “chased by not only by record promotion men, but also the ‘song pluggers.'”

Many of the recording stars who performed in Detroit clubs during those days found their way into the WJR studios. Some of the most popular artists became over-night “guests” on his all-night shows. It was of no consequence that on any particular night, names such as Sammy Davis, Jr., Johnny Ray, Nat King Cole, Rosemary Clooney, Eddie Fisher, Peggy Lee and many others appeared courtesy his shows, which Clark once described as resembling a “Tonight Show” on radio, for the most part, during the four years he was there. Clark recalled once that, “it was just a great experience on WJR because I had complete freedom to do whatever I wanted to do.”

But in late April 1956, Clark Reid made the switch over to WJBK for the morning drive.

WJBK's Clark Reid photographed here in 1956 (Photo courtesy from the Greg Innis Collection).
Clark Reid photographed here in the WJBK studios in 1956 (photo courtesy from the Greg Innis Collection).

Clark was hired from WJR by WJBK Station Manager Harry Lipson immediately after WJBK fired Mickey Schorr, Schorr eventually found his way over to market-competitor WXYZ. At the same time, WJBK decided to move their morning team of Joe Gentile and Ralph Binge for the evening hours instead, while Clark Reid took over reigns as the new host for the morning show on Radio 15.

When he began his early tenure at WJBK, Reid was there working alongside with the legendary Ed McKenzie. Ed McKenzie had been at WJBK since 1937. At the time of Reid’s hiring, Ed was still broadcasting under the moniker “Jack the Bellboy,” a banner McKenzie christened unto himself when he first assumed that title a decade earlier in 1945. Also at WJBK in 1956, Reid was in good company with a new deejay that was “up-and-coming” there. His name? Casey Kasem.

WJBK “Formula 45” Detroit Survey from February 10, 1958 (click on image for larger view).

While at WJBK, the station had made the switch going with the Top 40 sound in late 1956. Their new program director, Bob Martin, changed the station’s long playlist to “Formula 45,” which became the station’s catch phrase for the music they played, not just rock and roll, Elvis and Little Richard, but also hits by the Four Lads, Perry Como, Gogi Grant and Pat Boone as well. WJBK was one of the very first major market playing Top 40 in the country then, along with sister-station WIBG, another Storer-owned station in Philadelphia at the time. Eventually, Clark Reid was given the honors hosting the “Formula 45” weekly record countdown, heard every Saturday morning on “the new” WJBK.

It was by then that Clark Reid’s sudden rise in popularity had been well established as a Motor City “favorite” on the dial. He was now center-stage on WJBK and Reid’s radio legacy would continue to flourish during the rest of his broadcasting career here in Detroit.

But after a string of successive years of Top 40 radio on WJBK, from 1956 through 1963, Detroit’s “Radio 15” was closing in on it’s best days, soon to be mirrored in it’s legendary past.

In March 1964, the impact of WKNR’s sudden rise to the top had drastically altered the market picture in Detroit. By July 1964, then in quick decline both in ratings and revenues, WJBK was no longer able to compete going against WKNR, CKLW and WXYZ as well, losing a ten-month battle to regain a larger market share. In the end, the Storer Broadcasting Company decided to dump WJBK’s Top 40 sound for a more conservative, music format they would phrase as the “Sound of (Just Beautiful) Music.”

WJBK Radio Program Director John M. Grubbs
WJBK Radio Program Director John M. Grubbs

WJBK’s program director at the time, John Grubbs, stated at the time that “a majority of the people polled are desirous of the type of format we will be launching in August. WJBK’s ‘Sound of (Just Beautiful) Music and Total Information News’ is being designed to incorporate all members of the staff.”

According to Billboard’s May 16, 1964 Radio Response Rating for Detroit, WQTE and WWJ both reported conservative music formats. WCAR and WJR, meanwhile, featured music of the standard variety, culled primarily from albums played. Despite the change of format implemented suddenly at Radio 15, Grubbs was of the belief that, “our air personalities are all top pros and are capable of handling any format (changes).”

WJBK staffers included Marc Avery, Robert E. Lee, Robin Walker and Bobby Layne. And then there was “The Sound of Just Beautiful Music.” The new format change on WJBK took effect on a Sunday morning, August 16, 1964.

Many years ago, Clark had remarked in a trade article that the new format change, “came out of nowhere and I was just devastated. One day we were playing the Beatles and Motown, then, all of a sudden, they had us cuing instrumental cuts by 101 Strings.”

Apparently, the immediate music change would not bode well with Clark Reid. He would remain at WJBK for only a few more months. By early 1965 Clark had removed himself away from the station. He would journey many miles away to Cleveland’s KYW-AM. But the move to Ohio, ultimately, would be the final phase Clark would play out of his legendary broadcast career.

By year’s end in 1965 Clark Reid was back home in Detroit. But this time, as a representative for the Ross Roy Advertising in Oak Park, MI, where he culminated a very successful career with the ad agency for many years thereafter, until his retirement in 1991.


WJBK Clark Reid Jingle 1962


Clark Reid

On February 3, 2012, Clark Reid passed away at his home in Novi, MI., surrounded by family. He is survived by his wife Barbara, his wife of 63 years; children Cathy, Jody, David, Libby, and Tim Reid, and his eleven grandchildren.

A memorial service was held at 11 a. m. on Saturday, February 25 at Nardin Park Methodist Church at 11 Mile west of Middlebelt in Farmington Hills.

MCRFB once again pays homage to a great Detroit radio legend as we remember . . .  Clark Reid.

MCRFB would like to express our sincere gratitude to Tim Reid for donating the Clark Reid photograph (top) and aircheck for this exhibit. Clark Reid photograph and WJBK survey scan is courtesy the George Griggs collection. The Clark Reid photograph (lower) courtesy of Michigan.com.



 

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TOM CLAY EXHORTS TRADE . . . AUGUST 8, 1960

From the MCRFB NEWS archive: 1960

Jockey Clay Lays Opinion On Line; Exhorts Trade

 

 

 

 

 

NEW YORK — Now that the payola crises has abated, many displaced deejays have relocated — and at least one — Tom Clay of Detroit — is aggressively rooting for the old days when a disk jockey was king and could make or break a record.

In a letter to the trade, Clay (fired from WJBK, Detroit, last November on payola charges and now spinning records at WQTE, Detroit) lamented, “What’s happening to the day when we were really deejays and we would really make rounds of distribs for new records, get exited and predicted overnight smashes, make the charts instead of following them, play a record seven times in a row, and get people to buy the record the same day? So we had a little trouble in our biz. Are we going to crawl up in a shell and sit on our fat fannies and let the deejay die?”

Famed controversial Detroit deejay Tom Clay, pictured here in 1964.

Clay addressed special pleas to top jocks like Bill Randle, WERE, Cleveland; Howard Miller, WIND, Chicago; and Frank Ward, Atlanta. “You could tie the city in knots again,” he told Randle, “Forget teaching school. Teach the Cleveland deejays what real deejays are.” To Miller he said, “Remember when you got kicks doing shows? Are you getting too much rich making what you are doing now?”

Addressing the trio as a whole, he added, “Let’s swing again — a bunch of deejays that made their mark going out on a limb, predicting records. Now wait for it to show up on a chart… Forget your pretty voices and prestige — let’s get some excitement back in radio.”

Clay, who apparently evinces no sensitivity over his payola-headline days, concluded his letter to the trade (headed “Detroit’s No. 1 Deejay Has His Say”) with the following line: if you have any records you’d like auditioned send them. Remember, I too, was a “record consultant.” “Am I being funny? No.”

Although WQTE had said it was taking programming out of the hands of the deejays when it launched it’s new “Fabulous 56” format this June, Clay claims he is programming his own show. At any rate, he said he played Tommy Leonetti’s Atlantic waxing of “Without Love” for “45 minutes straight,” and predicted it would be “a smash hit.”

Clay exudes complete confidence in his ability to predict hits, undaunted by the fact that in a recent newsletter he informed Colonel Tom Parker that Elvis Presley’s second post-GI single was a complete bomb. The disk in questioned — released three weeks ago — is now No. 3 on the Billboard Hot 100 chart.

Meanwhile, other displaced deejays have also relocated, but are somewhat more reticent about the whole thing. Alan Freed and Mel Leeds, ex-WINS, New York program directors, are at KDAY, Los Angeles. Chuck Young, ex-KYW Cleveland music librarian, is presently working for Cosnat Distributors in Cleveland.

Stan Richards, ex-WORL, Boston, is at WINS in New York. Joe Smith, another ex-WORL spinner, is sales promotion manager for Hart Distributors in Los Angeles. Joe Finan, ex-KYW, Cleveland, is rumored to be returning to that city at WHK. Peter Tripp, ex-WMGM, New York, is reportedly set to go to KFWB in Hollywood. END

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(Information and news source: Billboard; August 8, 1960)


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