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FLASHBACK POP MUSIC HISTORY: JULY 27
From the MCRFB music calendar:
Events on this date: JULY 27
1958: A study by Esso Oil (formerly Standard Oil, eventually Exxon) finds that drivers speed more and therefore waste more gas when listening to the new fad of rock and roll music blaring over the car radio.

1968: A riot erupts at Chicago’s Grant Park after Sly and the Family Stone fail to appear for a free concert.
1969: Robin Gibb of the Bee Gees purportedly collapses from “nervous exhaustion” just as the group is about to embark on their first U.S. tour, but its actually a ruse designed to hasten his exit from the group.
1974: After 23 years, Dinah Shorr leaves the NBC-TV network when it cancels her morning program Dinah’s Place in order to concentrate on games shows.
1976: John Lennon ends his four-year battle to stay in the United States, as a special government hearing grants him a US immigration department green card (Number A-17-597-321).
1976: Bruce Springsteen’s meteoric rise is stalled when he sues his manager Mike Appel for fraud and breach of contract, keeping him from performing and recording over a year.

1976: After years of alleged physical and verbal abuse, and having been left over the Fourth of July holiday with nothing but pocket change and a gas station credit card, Tina Turner files for divorce from her husband of sixteen-years, Ike.
1979: A firebomb destroys Alice Cooper’s Indian art store in Scottsdale, AZ., causing $200,000 worth of damages to, among other things, some of Cooper’s gold records. The singer jokes that perhaps “a disco music freak” torched the place, as Alice has gone on the record as being boisterous about not liking the new music trend.
1992: Michael Jackson sues the London tabloid Daily Mirror over claims that too many plastic surgeries has left him permanently disfigured.
1994: Bob Seger serves jury duty in Michigan and, as the foreman in a criminal trial, finds the defendant guilty as charged.
Deaths: Bobby Day; 1990. Leon Wilkeson (Lynyrd Skynyrd); 2001. John Entwistle (the Who); 2002.
Releases: “Sleepwalk,” Santo & Johnny; 1959. “People Got To Be Free,” The Rascals; 1968. “Dream A Little Dream Of Me,” Mama Cass Elliot; 1968. “Sweet Home Alabama,” Lynyrd Skynyrd; 1974.
Recording: “Why Don’t You Do Right,” Peggy Lee; 1942. “The Lion Sleeps Tonight,” The Tokens; 1961.
Charts: 1955: “Maybelline,” Chuck Berry; enters the charts. 1957: “Mr. Lee,” The Bobbettes; enters the charts. 1974: “Annie’s Song,” John Denver; hits No. 1. on the charts.
Certifications: None for this date.
And that’s just a few of the events which took place in pop music history, on this day…. 
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FLASHBACK FRIDAY: PETULA CLARK * 1966 * HD STEREO
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FLASHBACK FRIDAY: CLARENCE CARTER * 1970 * HD STEREO
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FRANK IFIELD * SAY IT ISN’T SO * 1967
WGPR-FM STAYS REMOTELY ON DIAL… JULY 17, 1965
From the MCRFB news archives:
WGPR Station on Move, Has 36 Remotes a Week
DETROIT — A radio station that’s “kinda movin'” gets listeners and WGPR-FM is a station constantly on the move. Floyd M. Jones, station manager, said the station is “No. 1 among FM stations and No. 3 among stations — period.”
Probably the strongest example of how this station moves, however, is a countdown of its remotes — 36 a week. Jones handle a two-hour daily, three hours every Saturday evening doing a jazz record show from the Disk Jockey Lounge. Dan (Bull Frog) Harrison does a R&B record show from the Chit Chat Lounge. Deejay Larry Dixon may handle a random remote every now and then, but nothing steady at the moment; however, he does have a weekly record hop.
The 50,000-watt FM station broadcasts about 20 hours a day covering a radius of 75 miles around the Detroit metropolis. One reason for the tremendous success enjoyed by the station, Jones said, is that some 87 per cent of Detroit’s Negro element has FM radios. “But it’s more than that. We’re creating the image here that FM is more than just a background medium. We’re putting out a new sound.”
While the station programs record shows for the diverse Detroit populace such as Greeks, Italians, Hungarians, Polish and Mexicans, the main portion of each day is used for programming R&B — a total of three programs a day for a total of seven hours. Jazz takes up about four hours each day. Gospel music is played early in the morning. Sunday morning is devoted to remote broadcasts throughout most of the day through local churches. The station employs about 40 people. Bob Longwell is the station’s general manager.
Another reason the station is moving, according to Jones, is that programming and air personalities aims at three important and large audience segments. “I take care of the jazz fans,” Jones said. “Larry Dixon is a teen-oriented personality. And “Bull Frog” is for the rhythm and blues fans.” END.
(Information and news source: Billboard; July 17, 1965).
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FLASHBACK ADS: “ACT NATURALLY” the BEATLES, ’65
FLASHBACK ADS: “LOVE MINUS ZERO” * EDDIE HODGES * 1965
FLASHBACK ADS: “I’M A FOOL” * DINO, DESI & BILLY * 1965
WRIF VOICE CROWD, SEATING CONCERNS FOR STONES CONCERTS… SEPTEMBER 26, 1981
WRIF PD Pleads For Reserve Seatings In Lieu of Crowd Rush Safety; Brass Ring Says ‘Festival Seating’ Admission Will Do Fine
DETROIT — A dome full of controversy over public safety including legal suits and radio and television editorials surrounds the upcoming Rolling Stones concert at the Pontiac Silverdome November 30 and December 1.
At issue is the practice of selling general admission tickets, also know as festival seating. Eleven persons died in the crush to get good seats in Cincinnati two years ago at a rock concert featuring the Who. Since then, public criticism of festival seating has led to seating policy reform in Ohio and orther parts of the country. There are no laws prohibiting festival seating in Michigan.

Concerns over safety gained added weight last week when a performance by the Rolling Stones in Worcester, Mass on Monday, September 14 turned into a disturbance. An estimated 4,000 fans turned out for a supposedly secret concert for 300. Seventy police offices tried to control and quell the crowd and made 11 arrests that evening in the process.
Following the incident at Worcester, two possible shows at Boston’s 2,800-capacity Orpheum Theater were scrubbed by city officials for security reasons. Instead, Boston Mayor Kenneth H. White suggested that the band play a free concert at City Hall Plaza Sunday. This suggestion was turned down, and according to promoter Don Law’s office, no Rolling Stones dates are scheduled for Boston at this time.
The Rolling Stones tour officially begins Saturday, September 26 when the group will play two shows before an estimated sold-out crowd of 90,000 at JFK Stadium in Philadelphia.

In Detroit, almost immediately following the recent announcement by concert promoter Brass Ring that seats for the two Silverdome concerts would be occupied on a general admission basis, Fred Jacobs, program director of WRIF-FM, went on the air with a plea for greater audience concerns amid crowd rush safety issues. The ABC-owned radio station’s television affiliate, WXYZ-TV, Channel 7, also editorialized against the planned seating arrangement.
Meanwhile, two University of Detroit law students has filed suit in Oakland County court to block the concert if tickets are not sold on a reserve seating basis.
Brass Ring has insisted that the concerts are safe and that the security arrangements are more than adequate,. If both concert dates are sold-out as expected, the gross income from 150,000 tickets will be estimated at $2.5 million.
The Stones current tour in support of the recently released Tattoo You LP will cover 21 cities. The expected attendance is estimated over 1.5 million fans who will pay an estimated $20 million to see the Stones perform.
The Stones were originally scheduled to play the Silverdome on November 30 only, but tickets for that concert sold-out in a few days. The heavy demand led to the addition of a second show for the following night with a limit of six tickets per customer sold by mail order only. Brass Ring Productions stated that the second performance at the Silverdome precludes a rumored appearance by the group in an unnamed small local club.

“Every promoter in the country learned by that (Cincinnati tragedy) and everybody’s planning better,” Jeff Ellwood, spokesman for Brass Ring says in defense of the seating plan for the Stones’ appearance in Pontiac. To avoid any possibility of a rerun of the fatal crush for seats, the Silverdome gates will be opened several hours before the scheduled showtime, security has been beefed up, and a phone hotline has been installed to give updates on the event.
WRIF’s PD Jacobs says that the contents of his editorial was “non-juicy,” asking questions of who’s responsible, is there a need for festival seating, and is it safe.
“Referendum (a call-in listener poll) is running 10 to 1 against festival seating,” Jacobs says. “The promoter took our latest editorial very personally. It’s too bad because the issue here is public safety. We love the Stones, everyone at WRIF is looking forward to the concerts, but why no reserve seating?”

Law students Steven Iamarino and James Rocchio filed for an injunction in Oakland County Circuit Court seeking a temporary restraining order barring the concerts unless the reserved seats are sold. The motion was denied by Judge Hilda Gage on September 11. She sets an October 7 court date to hear testimony on the case.
The plaintiffs Iamarino and Rocchio are suing the Silverdome, the city of Pontiac, Brass Ring and Rainbow Productions, the New York promoter, on the grounds the concerts’ proposed seating is a threat and danger to both public and personal safety.
“A class action may be approriate,” Iamarino says. The class action could include all those who requested tickets. Iamarino and Rocchio plan to submit lists of questions concerning public safety and security precautions at the Silverdome to all four defendants named.
L. Brooks Patterson, Oakland County Prosecutor, plans to step in if the Silverdome doesn’t act to “minimize the risks.”
“I consider festival seating risky,” says Patterson, “I’m waiting to see how far the stadium is willing to go to reduce the risk. By that I mena open up all the gates far in advance of the concert. If they only plan to open two or three gates a couple of hours before the show starts, we would take action in the form of a lawsuit.”
The Silverdome’s office of promotions and publicity says the entire stadium facility will be opened up. “Security and insurance coverage are contractual obligations of the promoter,” the office says, “and they are required to furnish extensive coverage.”
The State of Ohio and the city of Cincinnati took legislative action in wake of the 1979 tragedy, according to state legislative Senator Stanley Aronoff’s office. “It took 15 months for the legislation to act but now we have very detailed, stringent restrictions on festival seating, based on type of concert, area, and facility,” say Mary Williams of the Senator’s office.
“Of course, if you have a ballet and the crowd is 4,000 by admission that’s not the same concern. Cincinnati also has very strong local ordinances limiting festival seating,” she went on to add. END.
(Information and news source: Billboard; September 26, 1981).
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