— AN AMERICAN HOME ENTERTAINMENT PRODUCT AD from 1965 —
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ON YOUR PC?To fully appreciate this Billboard Hot 100 November 8, 1969 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.
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ON YOUR PC?To fully appreciate this WKNR Music Guide for the week of November 5, 1964 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.
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A MCRFB Note: This WKNR playlist was the first of two special birthday commemorative issues the station ever printed in a large 14×8 size. The second oversized Keener birthday music guide issued was dated November 3, 1965.
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This is the second of four rare (November) WKNR Music Guides going up on the site this month on the guides’ respective dates as issued. Look for these 2 other November dates: November 7, 1963 (Premier issue) and November 21, 1963.
All four issues were digitally restored by Motor City Radio Flashbacks.
— In Memory of George Griggs —
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Above WKNR music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.
(Click on chart image 2x for detailed view)
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FIFTEEN WEEKS on the singles chart, “Wedding Bell Blues” by the 5th Dimension peaked this month at No. 01 (3 weeks) on the Billboard Hot 100. Week ending November 8 through November 22, 1969. (Source: Billboard)
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MCRFB Link: For the previous No. 1 record in the U.S.A. 1969 GO HERE.
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ON YOUR PC?To fully appreciate this WKNR Music Guide for the week of November 3, 1965 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.
Click your server’s back button to return to MCRFB home page.
On your mobile device? Tap on chart image. Open to second window. “Stretch” chart across your device screen to magnify for largest print view.
*****
A MCRFB Note: This WKNR playlist was the second of two special birthday commemorative issues the station ever printed in a large 14×8 size. The first oversized Keener birthday music guide issued was dated November 5, 1964.
*****
This is the first of four rare (November) WKNR Music Guides going up on the site this month on the guides’ respective dates as issued. Look for these 3 other November dates: November 5, 1964 (1st. Birthday issue); November 7, 1963 (Premier issue) and November 21, 1963.
All four issues were digitally restored by Motor City Radio Flashbacks.
— In Memory of George Griggs —
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Above WKNR music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.
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DETROIT FREE PRESS
Above article is courtesy freep.com newspaper archive. Copyright 2019. Newspapers.com.
The above CKLW newspaper feature was ‘clipped,’ saved, and imaged from the credited source by Motor City Radio Flashbacks.
A MCRFB VIEWING TIP: On your PC? You can read this entire article ENLARGED. For a larger detailed view click above image 2x and open to second window. Click image anytime to return to NORMAL image size.
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Missed any of our previous ‘Detroit Radio Back-Pages‘ features? GO HERE.
A WORD ON THE ABOVE ARTICLE —
A few days ago, in search for materials on Eddie Chase (CKLW) in the Detroit Free Press newspaper archives, I inadvertently came across the featured article above.
Looking closely, I noticed the young man centered in the photograph, identified as Jim Beasley. To me, the photo bore a striking likeness to a Jim Sanders (whose real name, by the way, was Jim Beasley), a Detroit radio personality on WKMH in 1963.
But I really wasn’t sure.
Looking for some confirmation, I reached out to Jim, who recently wrote —
“Yup. That was me.
I was 18 there. I was attending Wayne State University then. I sang on WJR as Jim Beasley, was on air and student PD at WDET in 1957 and was the Jim Sanders on WKMH.
We recorded two sides as a quartet. I recording one duet with Jack Costello, “My Little Fool” and I did a single, “Caught, Roped and Tied.” The latter was released in 1959. Under Jim Beasley and the Charmers.
The Classmates were active in 1956-1957. Dick Allman and I left the group in 1958 when it was picked up by Dot Records. He and I did not want to leave college to travel and promote.
Two other singers replaced us for one release on Dot, “Who’s Gonna Take You To The Prom.” The record company put the group on the shelf, and consequently, disbanded before 1960.
Insofar as (former members of) The Classmates, Kris Dorjath is now deceased. I lost contact with Jack Costello. Dick Allman became an ABC TV engineer in New York. He did a lot pioneering graphics for ABC sports. Allman is now retired, living in New York. His mother was an actress on the Lone Ranger radio shows.
“Caught, Rope And Tied” was me recording as Jim Beasley, not the Classmates. “Gotta Go See My Baby” was the Classmates single that did the best in Detroit and throughout the Midwest.
My solo record did best in the South and Europe. It is still streamed in Denmark on rockabilly channels. It was re-released later as part of a rockabilly collection.”
Jim Beasley was a WKMH radio personality and was part of the first original lineup as Jim Sanders when WKNR launched on October 31, 1963. Jim is actively involved in the entertainment field as an actor, singer, dancer, and musician.
He currently resides with his family in Nashville, Tennessee.
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DETROIT FREE PRESS
Above article is courtesy freep.com newspaper archive. Copyright 2019. Newspapers.com.
The above CKLW newspaper feature was ‘clipped,’ saved, and imaged from the credited source by Motor City Radio Flashbacks.
A MCRFB VIEWING TIP: On your PC? You can read this entire article ENLARGED. For a larger detailed view click above image 2x and open to second window. Click image anytime to return to NORMAL image size.
Click your server’s back button to return to MCRFB.COM home page.
On your mobile device? Tap over image. Open to second window. “Stretch” across your device screen to magnify for larger print view.
Missed any of our previous ‘Detroit Radio Back-Pages‘ features? GO HERE.
— IN REMEMBRANCE —
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Five years ago. Detroit radio lost a friend.
In retrospect, we pause today. Honoring the memory of George L. Griggs, founder of Motor City Radio Flashbacks
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Motor City Radio Flashbacks will resume website operations, Friday, November 1, 2019
(Click on chart image 2x for detailed view)
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FIFTEEN WEEKS on the singles chart, “Suspicious Minds” by Elvis Presley peaked this month at No. 01 (1 week) on the Billboard Hot 100. Week ending October 26 through November 1, 1969. (Source: Billboard)
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MCRFB Link: For the previous No. 1 record in the U.S.A. 1969 GO HERE.
From the MCRFB NEWS archive: 1963
The Bill Gavin Newsletter October 12, 1963
From the Desk of Bill Gavin Billboard Contributing Editor
Record promoters are the personal points of contact between broadcasting and the record business. As is well known, the relationship between the two is not the smoothest. Some of the rough spots are created by inept promotion people.
In daily contacts with radio people throughout the country, I hear a large number of complaints about members of the promotion fraternity. Some of the annoyances arc petty, some are serious. I have tried to sum up DJ views on promotional irritants in the form of the various types below, following where possible verbatim quotes from my friends in radio.
The liar: Examples: “I brought you that record last week.” “I don’t know how the other station got that exclusive. The publisher must have sent it to ’em.” “It’s already sold 20,000 in Chicago, and we’re back- ordered up here.” “Their manager and I are just like that. Make it a pick and I’ll get ’em for your hop.” This man will say almost anything to get his record played.
The big shot: He thinks he’s doing somebody a favor by dropping in. He calls the record librarian and asks her to arrange lunch or dinner dates with the DJ’s. He’s from the big town – works for the big company. He talks about how important he is in the organization – how the a.&r. men ask his advice – how chummy he is with the big name artists. He’s doing you a favor to let you play his records.
The griper: Business is terrible, he says. Nothing is selling. Those short play lists are crazy. It’s a conspiracy by the radio stations to kill the record business. How can a manager be so stupid? Retailers won’t order new records – just the top 40. The other promoters are all liars. The boss expects him to get all his records played, but how can he do that on such a miserably small expense account. He got up at 5 a.m. to take that visiting artist for a TV appearance, but the guy slept in. You can’t win.
The know-it-all: He’s the one who tells you that all the other stations are playing the record. It jumps 30 places in the Billboard chart this week. This is the side we’re working on, he says. If you like the flip, well lots of luck. His idea of promotion is to tell you which side he likes. All the top DJ’s in the country are his personal friends and they’re all wailing on his records.
The Gossip: He knows all the dirt about everybody. He spreads enough rumors to fill a newspaper. So-and-so is breaking up with his wife. So-and-so is getting fired. And so on. You’d never guess that he is being paid for promoting records. His chief delight is in promoting suspicion.
The snoop: He tries to read all the letters and memos on every desk in every office he enters. He’s a master at reading upside down printing. He picks up odds and ends of papers on the desk. It’s hard to tell what he’s looking for or what he finds out, but whenever he comes in the door, any confidential papers on the desk had better be put out of sight.
The loud mouth: He tries to dominate every conversation with his voice. He talks too much – he interrupts -he shouts. He many not have anything important to say, hut he makes sure that nobody else gets a chance. He can’t even keep still while his record is being auditioned – snaps his fingers, jumps around, and keeps talking about it. He barges in on other people’s conversation. He pushes in anywhere. It’s practically impossible to insult hint.
The jelly fish: This man is running over with flattering remarks. The person he is talking to is always the greatest in the business – the greatest ear. the finest voice, the best ad libber. Name it and you can have it. He laughs at your unfunniest jokes. This kind of promoter is often very successful at his job. A surprisingly large number of DJ’s are only too ready to believe every flattering word he says.
And so it goes. The cast of characters outlined above represents some of the more irritating personality traits encountered by radio people in their dealings with record promoters. Fortunately, these objectionable attributes are comparatively rare in their pure form. The majority of promotion people are pleasant companions and a credit to the record business. END
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(Information and news source: Billboard; October 12, 1963)
