RECORD WORLD | JOHN LENNON PLANS GIANT PEACE FEST . . . JANUARY 10, 1970

Toronto Site July 3, 4, 5; 25% of Gross to Peace Fund

 

 

TORONTO — John Lennon has announced what could be the biggest pop music festival in history, with 25-per cent of the gross receipts going to a newly formed Peace Fund to be administered by a newly-formed Peace Council, which already includes John and Yoko Lennon, Dick Gregory, Rabbi Abraham Feinberg, and Jerry Wexler, Executive VP of Atlantic Records.

The Lennons spent a week in Canada at the invitation of a group of “Canadian friends.” Two press conferences – in Toronto and Montreal – were held during the stay, during which the couple announced the Peace Festival to take place at Mosport Park, near Toronto, on July 3, 4 and 5.

John Lennon, peace activist, circa 1970 (Photo Credit: Harry Goodman)

Lennon also took time out to reveal a new chain of peace radio stations, an international peace vote, Year One A. P., and an intimate Canadian involvement in his positive peace persuasion campaign.

Lennon also met with Canada’s Prime Minister, Pierre Trudeau, the country’s Health Minister, John Munro, and representatives from the Commission into Drug Use, which is considering marijuana legalization in Canada.

The couple arrived on Tuesday (Dec. 16) and stayed at Ronnie Hawkins’ farm on the outskirts of Toronto for the duration of their visit. The day after their arrival, the Lennons outlined plans for the Peace Festival at a press conference.

“We have a strong group of people here in Canada to act on our behalf. One of them is John Brower, who produced the successful Toronto Pop Festival in June and the Rock ‘n’ Roll Revival in September, which the Plastic Ono Band played at,” Lennon said.

The local press asked John if the Beatles would be playing. “Of course I’ll try and hustle them out. Maybe I’ll get one or two of them. I got George in London the other night for the UNICEF concert. But I can’t speak for all the Beatles because I’m only me. But if I can get them, if I can get Elvis, I’ll try. I’ll try and get all of them. We want everybody who’s anybody in pop music to be up there on that stage in July.”

Lennon was quick to point out that the Peace Festival is only a charity affair after-the-fact. “We want to pay everybody involved because there’s no point in asking people to do something for nothing. If you’re to depend on people, they must be paid.”

Lennon also announced a network of peace radio stations, an event initiated by Canadian broadcasting magnate, Geoff Stirling. Stirling’s dozen stations were the first to join the network, and were quickly followed by ABC’s FM Love network and some affiliated ABC stations.

Yoko Ono and John Lennon, 1970

Any interested station can contact John Brower in Toronto (36 Elgin Avenue) for free radio peace station breaks by John and Yoko, and a tape of the regular John and Yoko peace report.

In conjunction with Brower’s Canadian company, the Lennons have launched an International Peace Vote. Ads will start appearing in music magazines shortly. People will be asked to vote for either war or peace.

Lennon said everyone interested in peace should regard the New Year as Year One A. P. (for After Peace).

Atlantic Records offered its phone services on Monday, Tuesday and Wednesday, Dec. 29, 30, 31, for transmission to key radio stations coast to coast of John and Yoko’s Year One welcome message. The message was broadcast by peace stations and scores of other stations on New Year’s Day.

The Peace Council will be responsible for administration of monies earned at the Festival, but it has already been pointed out that conventional charities will not be used. “We’re setting up our own scenes, to make sure that the job gets done,” Lennon said.

Noting that it had only been two weeks since he and Brower and another friend had got the concept together, Lennon said there had been no time to organize the talent lineup for the Festival. But apart from he and Yoko and the Plastic Ono Band, which would probably feature Eric Clapton, Lennon said the organizers had received confirmations on Led Zeppelin, the Who, Ronnie Hawkins, the Band, Jethro Tull, King Crimson, Joe Cocker and Grand Funk Railroad. He again stated that he would be personally inviting “everybody who’s anybody.”

The Canadian media met Lennon’s peace campaign with sympathy and full support, with one reservation. They suggested John and Yoko should also consider unleashing their campaign behind the Iron Curtain. “Sure,” Lennon retaliated, “and we want to. It’s just a matter or deciding the best way to do it. Right now our U.S. business manager, Allen Klein, is working on taking the Peace Festival, or a nucleus thereof, to Russia after the Canadian debut.”

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Information, credit and news source: Record World, January 10, 1970

John Lennon and Yoko, 1970. (Photo Credit: Anthony Cox/Keystone/Getty Images)

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KEENER GOLD! THE WKNR ‘TOP 31’ MUSIC GUIDE: THIS WEEK, JANUARY 4, 1968

WKNR MUSIC GUIDE January 4, 1968

WKNR MUSIC GUIDE January 4, 1968

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A MCRFB Note: This WKNR Music Guide was the chart J. Michael Wilson previewed for the week of January 4, 1968 in our recently featured WKNR aircheck, dated January 8, 1968. Hear it again, HERE.

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The above WKNR chart was digitally restored by Motor City Radio Flashbacks

ON YOUR PC? To fully appreciate this WKNR Music Guide for the week of January 4, 1968 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.

Click your server’s back button to return to MCRFB home page.

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A sincere, thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity, dedication, and your continuous support.

Above WKNR music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.

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NEW! WKNR “KEENER 13” BACK ON THE RADIO: J. MICHAEL WILSON!

NEW! A special THANK YOU to our friend, Tom Howard, of Riverside, California, for this featured WKNR aircheck contribution (he personally recorded 56 years ago) for our Motor City Radio Flashbacks repository.

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Newly restored! This selected audio recording was digitally enhanced by Motor City Radio Flashbacks.

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NEW! FOR THE ARCHIVE: WKQI ON THE RADIO: ROY STEPHENS!

A special THANK YOU to Roy Stephens for this recent aircheck contribution (and his photo, below) for the Motor City Radio Flashbacks collection.

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Mr. & Mrs. (Lennise) Roy Stephens, at a WKQI Christmas function, December 1997. (Photo credit: Roy Stephens)

Newly restored! This selected audio recording was digitally enhanced by Motor City Radio Flashbacks.

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In 1963, Nat Cole’s 1960 album The Magic of Christmas was re-issued under the title The Christmas Song, with that recording added to the track in place of God Rest Ye Merry Gentleman, with new cover art added. Music arranged and conducted by Ralph Carmichael.

Album recording audio remastered by Motor City Radio Flashbacks

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47 YEARS AGO, TODAY. A SPECIAL WJR CHRISTMAS EVE LEE ALAN PRESENTATION: ‘THE LETTER FROM MICHAEL’

Recording digitally remastered by Motor City Radio Flashbacks

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Click on above image for expanded view and credits. Or, tap on the image and stretch image across your mobile device or tablet screen.

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A DETROIT RADIO LEGEND HAS PASSED AWAY. IN MEMORY OF KEN CALVERT

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WLLZ Ken Calvert with Ed Kelly, 1995 (Press Photo)

We received very sad news late last night that Detroit radio legend, Ken Calvert, has passed away.

Motor City Radio Flashbacks extends heart-felt condolences to the Calvert family, and to all his radio friends, his proteges, radio fans, and to all who knew Ken, our deepest sympathy.

Over four decades in the radio business, Ken became a broadcast institution here in the Motor City. His deep voice became familiar to us all, his audience, while broadcasting at WWWW, WRIF, WCSX, WABX, WLLZ, and WJR. Ken Calvert retired in 2013. He was 72.
Motor City Radio Flashbacks will provide any further information on Ken’s passing and of any pending services, here, if or when they will become available.

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UPDATED December 25, 2023: Kenneth A. Calvert  Legacy Obituary

https://www.legacy.com/us/obituaries/name/kenneth-calvert-obituary?id=53907484

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SEASON’S GREETINGS! THE BEACH BOYS, DECEMBER 1963: A CAPITOL RECORDS 45 AD

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The above Billboard 12/14/1963 Beach Boys/Capitol Records ad was digitally re-imaged and restored by Motor City Radio Flashbacks.

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RECORD WORLD | JOHNNY RIVERS ON THE A ‘GO-GO’ . . . . DECEMBER 5, 1964

Hot Imperial Artist Starts, Spreads Coast Club Craze

 

 

NEW YORK — “Young kids were always coming up to me on my tour and asking, ‘What’s the Whiskey a Go Go like? I’d sure like to go there.’ ”

Johnny Rivers performing on stage at the Whisky, 1964

Imperial Records’ hot Johnny Rivers speaking, and while what he’s saying may or may not be the best sign sociologically, it’s a good indication of how important the a Go Go in general and Johnny in particular have become on the music scene. The a Go Go has certainly played a major role in Johnny Rivers’ go going career, ending 1964 at its highest level.

“That’s where it all started,” Johnny said recently while stopping here at the windup of a 33 -city cross-country tour.

“The Whiskey a Go Go on Hollywood’s Sunset Strip. Everybody drops in – Natalie Wood, Jayne Mansfield, Mamie Van Doren, Tuesday Weld. Steve McQueen is there a lot – he’ll host my ‘welcome back’ opening there Dec. 8.”

Steve’s a big booster of Johnny’s, it was learned. He recently took Johnny’s records to a European discotheque, had them played and then took them back when he left the place, it was noted by Lou Adler, head of Dunhill Productions and Johnny’s record producer, who was also visiting New York and sitting in on the interview.

Memphis Tour Highlight

Johnny’s earlier recording of “Memphis” brought him a parade and the key to that city from the mayor during his recent travels, perhaps the high -light of the tour for the slight entertainer looming large in show business.

Just what is the a Go Go sound? (Johnny’s songs have all been recorded before, but he’s given them life.) “Well, it’s hard to say if there is a Go Go sound per se,” Johnny explained. ‘Most of my records, like ‘Memphis’ and ‘Maybelline’ and the albums, ‘At the Whiskey a Go Go’ and ‘Here We a Go Go Again,’ are done live at the Whiskey a Go Go, although the new one, ‘Mountain of Love,’ was cut in a studio, with three girls plus my regular backing, bass player Mickey Jones and drummer Joe Osborne (I play guitar).

“My music has been compared to the Detroit Sound, although I’m told I have a somewhat happier sound.” At which point Adler said: “Johnny has brought the young feeling of dancing — the watusi, the frug, etc., to adults in clubs. They can relate to him musically. He’s blues-oriented, and adults have always been able to relate easier to blues than to rock ‘n’ roll.”

Johnny’s favorite artists are B. B. King, Ray Charles, John Lee Hooker, Jimmy Reed and Muddy Waters – the latter a natural preference for an artist named Johnny Rivers. Among the femmes, he prefers Nancy Wilson. attracted to that particular sound.”

Promoting Johnny Rivers. A Lou Adler/Imperial Records ad from December 1965.

Johnny also believes the British groups will be popular for quite a while yet. “Too many are making it now,” he felt, “and it’ll come down to The Beatles, the best groups, the best material.” His convictions in this area are not influenced by the fact that Brian Epstein (called the fifth Beatle by some, the first by others) handles Johnny’s European engagements.

Johnny, 23, has been recording since he was 15 and now makes his home in California. According to Adler, “Johnny’s finally found his own style and sound. Recording live at the Whiskey a Go Go with just a trio turned the trick, I think. Instead of his complementing the band as he’d been doing for years, they’re complementing him. . . “.

The Hollywood Whiskey a Go Go will get some more publicity when Johnny (along with other cast members) does scenes for his first movie a la maison. “I’ve had some offers for pictures before, but I held out for a really important property. This looks like it. Right now it’s called ‘Community Property,’ and the stars are Frank Sinatra, Deborah Kerr, Dean Martin and Ann Margret. It starts shooting in February, with many of the scenes to be locationed at the Whiskey a Go Go, and I’ll have a speaking part plus three or four numbers in it. It’s basically a comedy-the title may be changed to ‘Divorce-American Style’.

(One of the films offered Johnny was Sam Katzman’s “Watusi a Go Go,” which, perhaps when they couldn’t get Johnny, was changed to “The Swingin’ Set” and now has become “Get Yourself a College Girl.”

Johnny has also appeared on TV’s “Shindig,” on Red Skelton’s show (in a skit about the “Skelton a Go Go”) and in a documentary Jack Paar filmed on the craze for a Go-Gos around our country (and, presumably, in France, the actual birthplace of the name if not the nuance).

“The Whiskey a Go Go people on the Coast are looking for a spot in New York to open a new a Go Go,” Johnny confided. Which would make Christmas merrier for “little kids” hereabouts; and, of course, for the countless watusi wacky adults who relate to Johnny’s a Go Go, man, go rhythms and sounds.

Another Christmas gift ouch: Johnny Rivers dolls — you wind them up, and, as Lawrence Welk would say, they ah, go, go, go. END

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Information, credit and news source: Record World, December 5, 1964

Audio digitally enhanced by Motor City Radio Flashbacks

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