DETROIT FREE PRESS | Thursday, May 12, 1977 — For a team that is supposedly tailor-made for Tiger Stadium, it certainly took the Tigers a long time to show it.
But they finally looked right at home Wednesday evening as Ben Oglivie, Phil Mankowski, Mark Wagner and Milt May all smashed home runs to help maul the Minnesota Twins, 8-3.
With all that support, it was easy for Dave Roberts to go all the way, limiting the Twins to five hits to claim his third victory of the season.
Watching the Tigers whack the ball into the seats with such authority, one could only wonder what took them so long.
Tigers 8. Twins 3. (Click on box score for largest detailed view)
Going into the game the Tigers had hammered the grand total of seven home runs in their first 11 games at Michigan and Trumbull. Wednesday they hit four in eight innings, including three off Jeff Zahn, previously undefeated and the American League’s lead-leading winner at 5-0.
It was awesome, to say the least, and long overdue.
In their first 11 games at home, in spite of a lineup loaded nightly loaded with left-handed hitters, the Tigers were out-homered by the opposition, 23 to 7 . . . hardly the sort of situation Ralph Houk envisioned when he put together this team together in the spring.
Wednesday’s performance was what the manager had in mind.
Roberts, who had won two in a row after watching his record fall to 1-4, struck out four Twins and walked only one in his best showing since he beat Toronto a month ago.
In addition, the veteran left hander gained some measure of revenge for the pounding he took in Minnesota 11 days earlier when Rod Carew attacked him on the mound at the Twins knocked him out of the game in the second inning.
Roberts never trailed as the Tigers came to his defense with a dozen hits, including 10 in the first four innings off Zahn.
Zahn found himself three runs behind by the time the Tigers finished batting in the bottom of the first, even though they only hit one ball beyond the infield.(See article below for more; click on, tap or stretch article for larger detailed read).
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Detroit Free Press, 05/11/1977 | Copyright 2022. Newspapers.com
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BASEBALL REFERENCE: For the complete Minnesota Twins vs. Detroit Tigers May 11, 1977 game-day box score and stats — click HERE
Detroit Free Press Thursday, May 12, 1977
The voice of the Detroit Tigers Ernie Harwell with Paul Carey.
WBRB-FM (Mt. Clemons) became the new WLBS-FM in January, 1979.
The “New Music” station, purchased by Inner City Broadcasting Corporation, based in New York, formatted the station with predominantly disco music from the outset. Having dominated the Detroit FM dial with their new “Disco and More” sound, the station’s format was left virtually unchanged for nearly five years on 102.7 FM.
WLBS-FM became the new WKSG-FM, “Kiss 102.7 FM” (Oldies) on November 9, 1984.
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A special THANK YOU going out to Jamie Kerwin of Sarnia, Ontario, for recently contributing the featured WLBS-FM station IDs to our Motor City Radio Flashbacks archives ?
This list is selected each week by WXYZ Radio from reports of record sales gathered from leading record outlets in the Detroit area and other sources available to WXYZ.
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The above WXYZ chart was digitally restored by Motor City Radio Flashbacks
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A special thank you to Jim Heddle of Tuscon, Arizona, for having provided this WXYZ 1270 playlist chart from 1966 to the Motor City Radio Flashbacks archives.
ON YOUR MOBILE DEVICE? Tap over chart image. Open to second window. “Stretch” chart across your device screen to magnify for large detailed view.
ON YOUR PC? Click on chart image 2x for largest detailed print view.
WKNR TURNED OFF ON THE DIAL. WNIC TURNS ON. THIS DAY, APRIL 25, 1972
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DETROIT (April 25, 2022) — WKNR-AM, once the dominate radio station in Detroit in the 1960s, signed-off the 1310 AM frequency for the last time on this day, April 25, 1972.
WKNR AM-FM studio facility at 150001 Michigan Ave., Dearborn.
Formerly WKMH-AM, the station made the switch to “the new Radio 13” on October 31, 1963. By early 1964, WKNR was by then the most popular radio station in Detroit and remained No. 1 in the market, still holding that status throughout the first six months through 1967.
WKNR, affectionately known as “Keener 13,” began it’s eventual slide from Detroit radio dominance in April, 1967. It was during this time WKNR saw their challenge met head-on by their other rival located across the Detroit river, CKLW.
CKLW, during that time, was totally being restructured into a formidable radio powerhouse the Canadian station would become by year’s end.
WKNR: No. 1 in 1965, according to this trade article.
RKO radio consultant Bill Drake and Paul Drew were the two people responsible for the major changes at the “Big 8.” Paul Drew, the newly-appointed program director at CKLW, patterned the same “Boss Radio” format Bill Drake and Ron Jacobs had programmed on 93 KHJ in Los Angeles. By 1965’s end, Jacob’s KHJ was by then the No. 1 radio station in L.A.
But WKNR would not easily go down without a fight. While going against the “Big 8” giant, the legendary Detroit radio station’s ratings were found inside a downward decline, all the while battling against two major fronts.
CKLW officially became the No. 1 radio station in Detroit by November, 1967, according to a Radio Response Survey published in Billboard on November 4.
CKLW, with it’s massive 50,000-watts of transmitted radio power covered 3 Canadian provinces and at times, their night-time signal spanned across 28 States. In contrast, after sundown, WKNR’s 5,000-watt signal was commonly known to be absent from the radio dial in areas east of Detroit and, more so, deficient in night-time coverage and strength.
By now, major changes had begun at WKNR both in the management and personnel level. In January of 1968, J. Michael Wilson was by then doing mornings on Keener. Dick Purtan had left WKNR for Baltimore. By the first week of April 1968, WKNR radio greats Bob Green, Jerry Goodwin, Ted Clark and Scott Regen were no longer there. Sean Conrad, Edward Alan Busch, Tony Randolph, Ron Sherwood, and Dan Henderson were to be the new voices on Keener 13.
WKNR Music Survey chart, February 07, 1972
Despite the many changes in the Detroit radio market scene at the time, WKNR’s battle for survival against CKLW and FM’s “free-form” radio would drag on for five years.
Near the end of 1971, according to a Detroit Arbitron radio rating for the period Oct./Nov., WKNR-AM had a 6:00 a.m. to 12:00 a.m. cume of 377,300 in total listenership during a given broadcast day. For WKNR, those numbers represented a reduction down to a 15 to 12 total market share. In comparison, WABX-FM ranked just under in total rank, with a cume of 330,000 during those same hours.
WKNR, who by then revamped its playlist to include some album-oriented tracks, also made much of their attempt to pull away from the “same as” CKLW all-pop music format. No longer were the top 31 songs part of the playlist rotation. Slashed in half, WKNR’s new playlist focused primarily on the top 15 hits instead, while “previewing” the other 16 songs or so for the week.
WKNR ‘TOGETHER’ logo from 1970–1971.
By late 1971 and early 1972, WKNR now was promoting itself as the new “American Rock and Roll” radio station. An obvious affront towards the dominance that was CKLW located in Windsor, Ontario.
On the 100.3 FM side, the album rock-oriented ‘underground” format that was WKNR-FM was dropped after an unsuccessful run against WABX-FM. In it’s place, Stereo Island, an easy-listening music format, now found it’s place competing against WLDM-FM in Detroit.
But the changes were not enough, and ultimately, it was not to be.
In the end, WKNR became the former on a brisk, chilly but sunny morning that was Tuesday, April 25, 1972. Just before 8:00 a.m., WKNR deejay John McCrae’s voice breaks but regains composure as he announced the inevitable —
“…This is John McCrae, I’d like to take it upon my, myself to speak on behalf of all the people who made Keener what it, was and is. You know, Pete Seeger, with a little help from his cosmic friend, wrote it much better than I could, and the Byrds sing it, much better than I, could ever say it. So this time Detroit, we’d like to thank you, for making nearly a decade — a Keener season.”
THE LAST WKNR TOP 30 record the station played — before the 8:00 hour on the morning of April 25, 1972.
As the last few bars of the Byrd’s “Turn, Turn, Turn” began to fade, the magic that was once WKNR faded away with the song. But the memories, the events, the music, the great names, the faces and voices who crafted the Keener legacy a long time ago, remain in many a hearts and minds yet even still, to this day.
In 2002, thirty years since WKNR was last on the air, Scott Westerman and Steve Schram decided it was time someone gave WKNR it’s long due, with honors. Working together they packaged an incredibly amazing WKNR tribute site, aptly named, keener13.com.
This coming June, 2022, will mark two decades since the website’s creation. And the phenomenal story about this great Detroit radio legacy is still being told, remembered, and celebrated there on the world-wide web.
“Keener” was a radio station that went on to impact nearly a decade the many lives of a community it once served. It knew its listeners. And if only but for a short time, WKNR also was the station that, in all essence, knew the city of Detroit well by way of its prestigious award-winning news department. Informing and staying “on top of the news” during the station’s Top 40 reign here during the 1960s and early-1970s.
As WKNR legend Bob Green previously commented on Scott Westerman’s keener13.com tribute page, quote, “The WKNR experience provided some of my happiest radio memories.”
We agree.
WKNR STATIONARY logo.1965
To a generation who grew up listening to top 40 radio in Detroit during the 1960s, one may actually say many of those “happiest radio memories” we recall having heard on Keener 13 belongs to many of us today, just the same.
WKNR. Those call letters would come to embody a sensational story. Of a Detroit radio station’s historic top 40 rise to number one status — within 9 weeks — after having first signed on, October 31, 1963.
And it was a phenomenal Detroit radio story. Its legacy reverberates — again — still remembered and recalled, incredibly, to this day. Fifty years after having signed-off into Detroit radio history. April 25, 1972.
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Audio digitally enhanced by Motor City Radio Flashbacks
This article was initially published on Motor City Radio Flashbacks, ten years ago, April 25, 2012. View it HERE
Beatles’ George Chimes On Set of Group’s Second Major Motion Picture Film
MUSIC BUSINESS (4/14/1965) — “We arereallyenjoying making ‘Eight Arms To Hold You.’ It is a knockout!” George recently told Music Business. “Our travels have taken us pretty well all over the world but in this our being our second film, we filmed in three countries-Nassau in the Bahamas, Austria and of course England.
“The film plot is very involved and totally different from our previous film, “A Hard Day’s Night.’ The opening night scene is devoted to a high priestess, played by Eleanor Bron, in an Eastern temple. According to sacrificial rites the priestess must wear a ceremonial ring but it has fallen into the hands of Ringo Starr. That’s where we come in!
The Chase Scene
GEORGE HARRISON. Photo shot from a scene in the Beatles’ second film, ‘Eight Arms To Hold You‘.
“Gangsters, hired bythe cult, then chase us through the three countries mentioned, the first of which is England. Incidentally we filmed this part last and are in fact filming at the moment at Twickenham in Middlesex. In this part of the film chase scenes include a set with us fleeing down Salisbury plain in a television outside broadcast van!
“To escape we travel to Austria. Didn’t have any time to practice skiing, though. John was the only one who has ever tried his hand at it before. Unfortunately the script included a chase scene down a mountain slope on skis! So we were given a gentle but firm push and the film producer shouted ‘Action.’ Just as well it was only a short scene because we couldn’t keep upright for long!
“Austria was a dead loss as we couldn’t move from the village between 10 a.m. and 6 p.m. because the only pass was closed owing to avalanches caused by melting snow.
“All we had time for was filming and had to get up at the unearthly hour of 5 a.m. to start. Who says it’s an easy life?
“The film script then demanded that we should go to the Bahamas, so off we were again, still being chased. I don’t think Ringo wanted the ring anyway! He’s got enough to last him a lifetime – every fan letter he gets has a ring in it and a ‘please wear it for me’ message! Fortunately he manages to get the ring off his finger and the film ends with another poor bloke being chased!
Confusing But Fun
“That’s the film plot – very confusing isn’t it, but we had a great laugh. I’d like to make films until I was pensioned off but I wouldn’t make them without John, Paul and Ringo. Filming is less strenuous than ballroom work but the hours are much longer and filming can become a drag when you have to spend three hours or more preparing a ten minute scene.
“I’d like to make a script myself but it would mean being off the scene for about nine months and I couldn’t afford that length of time. It might not be a good one anyway so I think it’s better for the professionals to do it.
“I’ve read the script for our next film, in which we play cowhands, and am really looking forward to making it. I’d like to take a week off before shooting commences and practice horse riding or it might end up like the skiing episode!” END
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Information, credit and news source: Music Business; April 14, 1965
“The listing of records herein is the opinion of CKLW based on its survey of record sales, listener requests and CKLW’s judgement of the record’s appeal.”
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The above CKLW chart was digitally restored by Motor City Radio Flashbacks
ON YOUR MOBILE DEVICE? Tap over CKLW chart image. Open to second window. “Stretch” image across your device screen to magnify for largest print view.
ON YOUR PC? Click on all chart images 2x for largest print view.
A SPECIAL THANK YOU
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A sincere, thank you, Mrs. Patti Griggs. This featured presentation would have not been possible without your generosity, dedication, and your continuous support.
Above CKLW music chart courtesy of Mrs. Patti Griggs and the George L. Griggs estate.
A note to inform all our friends of Motor City Radio Flashbacks that the following pageswill be removedon Saturday, March 26 and they will no longer will be a featured menu item on this site:
1). Do You Remember These? (Published December 14, 2012)
2). For Your Ears Only (all 30 plus files were reuploaded into the Members Only page).
3). Real Men Of Genius (Published February 4, 2014)
[NOTE: The entire 60 RM of G audio files stored in our archive – adding 40 more than what was listed in this page – the files will all be re-uploaded in the Commercials page].
4.) The History of Rock and Roll [CKLW] (Published September 10, 2013)
[NOTE: There was six hours of content (mostly on early R ‘n’ R origins and the Elvis Presley story) listed on this page; to be removed).
5). Michigan State Fair 1954 (Published September 12, 2012)
6). Michigan State Fair 1967 (Published September 21, 2012)
7). Wake Up Uhmerika! (Published January 1, 2013)
[NOTE: The audio files archived in this page will instead be featured (to Gary Burbank’s credit) on posts here (as they were in the past) on Motor City Radio Flashbacks. In its page replacement, a new page will the archived home for 200 WXYZ Radio 1270 Jingles. Coming soon!]
Having been part of Motor City Radio Flashbacks from its early inception (and being non-radio related), the titled subjects (I feel) to be removed has outlived their space and time, here. Instead, the intended purpose of this site will focus on classic Detroit radio and subject matter (or anything else relevant to), which is why this website was created in the first place and moving forward will be about.
— Jim Feliciano
Curator, Motor City Radio Flashbacks
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For the benefit of our friends who may have missed the site’s overall improvements and changes made in many of our special pages (beginning last October 2021), here’s the breakdown:
See the new the Aircheck Library page. Scroll down to the bottom of the list and you will see we’ve recently added growth into the collection. (See: New Aircheck Alerts at bottom of page).
Rebuilt. Revamped. The page has been completely reconstructed, all ads re-uploaded with the page’s new look.
Detroit Radio logos & Bumper Stickers COMPLETED [November 16, 2021] GO HERE
A fresh, redesigned layout, the images re-uploaded are now published for view “up front and center”.
Detroit Radio and DJ Pictures COMPLETED [January 2022] GO HERE
This page will always be a continuous work in progress. We’ve archived an additional 30-plus new photos there. Over 100 photos added thus far. (More DJ pictures will be forthcoming!)
More! Detroit Radio and DJ Pictures (This page has been, and is, still viewable. The page will be restructured with a new look sometime this year. GO HERE
History of Detroit Radio COMPLETED [November 29, 2021] GO HERE
We have a brand new look for this restructured, audio historic, Detroit radio page.
Jim Hampton’s Radio RecallCOMPLETED [November 17, 2021] GO HERE
Restored. Completely revamped, take a look at this new page.
WKNR Contact News COMPLETED [November 14, 2021] GO HERE
Restructured completely. A new Keener Contact News page.
WKNR Podcasts COMPLETED [November 11, 2021] GO HERE
The Keener Podcast page is completed and newly restored.
Radio JinglesCOMPLETED [November 26, 2021] GO HERE
This page was completely restored. All new jingle files will be archived here.
Detroit Sports COMPLETED [November 7, 2021] GO HERE
Restored. And we will soon acquire a new trove of vintage (audio) Detroit Tigers baseball games. They will be added into our sports page archive (and you will be notified on the page when any new audio files are uploaded there).
To ‘Program’ A Radio ‘DJ’ Or Not. The Debate Lingers
By BILL GAVIN Billboard Contributing Editor
Some radio people don’t like the term “disk jockey.” Nobody seems to know where or when the term originated. In spite of many attempts to find amore suitable substitute,thename hasstuck and has come into common usage. Webster’s dictionary says, “disk jockey: aperson who conducts aradio programof recorded music, interspersed with chatter, jokes and commercials.” There is some question whether the word is properly “disk” or “disc,” but since lexicographers give the two spellings identical meanings, we are apparently free to make our own choice of spelling.
In a search for amore distinctive title for the tradeof“conductingaradio programof recorded music,” somestations publicize their disk jockeys as “personalities.” This has always struck me as an awkward and highly misleading term. Fortunately, it has not become widely used.
A current fad is to refer to the station’s dj’s as “the good guys.” Whether or not this implies that the dj’s of all other stations are bad guys, I wouldn’t know. It is not likely, however, that our dictionaries will ever list “good guys” or “personalities” as synonymous for“disk jockeys.”
Not only is the real difference of opinion over what to call adisk jockey, there isalso some little variety in what is expected of him on the job. More than one program director has said: “We don’t want any time-and-temperature jocks.” They were referring, of course, to the standard minimum for “top 40″ dj’s, whose air words are strictly limited to time signals, weather announcements, station’s call letters and their names, all endlesslyreiterated. Specialpromoannouncements are fully written out, and the rest are detailed instructionsaboutwhen, whereandhowto identify the various records. The ability to adlibis not considered an essential qualification for such an assignment.
Although a lot of progressive radio people turn uptheir nosesatsuch astereo-typed formula operation, many stations employ it with considerablesuccess.Ithascertain advantages:It guarantees the briefest minimum of talk between records; the station sounds the same at all times of the day; and an experienced dj can speedily master the job and high salaries for skilled men are unnecessary, which has a beneficent effect over head costs. Such advantages are important in smaller markets, where potential billings are limited, but a number of large cities also include similar minimum operations.
When the controls and limitations are removed from the disk jockey, and he is told to make his show colorful and entertaining.the question is: what does he have to say? All too often what he has to say turns out to be self-important, long winded, unfunny and down right dull. One of the most frequent failings of the so-called personality dj is his insistence on intruding himself at every possible opportunity. To him the music he plays is simply a breathing space in a continuous monolog. In a few rare cases, such a spotlight seeker may hold a big rating; in most cases he is soon recognized as a colossal bore, who is better suited to a job as a carnival barker or tourist guide.
One well-known program director decided a few years ago that he would make his dj staff personalities “by the book.” He established an elaborate system specifying what the dj’s could say, should say, and must say. Wit and humor were not simply permitted, they were required. Card files of gags and stories were inconstant use. An elaborate set of musical jingles was spotted rigidly through every hour oft he broadcast day. Did it work? Yes, it did, and the fact that it worked so well was a tribute to this particular program director’s imaginative genius. It is not, however, a system that could be recommended for general use.
The new school of disk jockeys that is emerging these days is well trained in the arts of brevity, pacing and production. The humor is spontaneous rather than lifted from a gag file. The comments are relevant, with a minimum of personal reference. Most of all, the music is the show, and the dj’s function is simply to present his show in as interesting a manner as possible.
There’s no reason why a disk jockey has to be an automation. He can sound like a human being. Its unfortunate that more of them don’t.END
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Information, credit, and news source: Billboard; March 21, 1964