CKLW HEARD HERE 24/7 ON MOTOR CITY RADIO FLASHBACKS
The MCRFB AIRCHECKS ARCHIVE featuring: CKLW-AM (’69) w/ CHARLIE VAN DYKE
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CKLW-AM, the Top 30 hits in the Motor City. As listed for the week of August 28 – September 3, 1968.
A MCRFB VIEWING TIP
To fully appreciate this CKLW RADIO 800 September 3, 1968 chart feature click on image 2x and open to second window. Click image anytime to return to NORMAL image size.
(Click your server’s back button to return to MCRFB home page).
On your mobile device? Tap images to second window. Take finger and thumb and “stretch” across the featured images to magnify for larger print view.
All SEVENTEEN featured song titles on the CKLW playlist randomly were selected by the author for your listening enjoyment here.

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Special THANKS to Greg Innis for sharing this (’59) Detroit News CKLW newspaper ad with Motor City Radio Flashbacks!
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A MCRFB Note: For more information on the recording, “Americans,” click the underlined record “title” above. For more information on Byron MacGregor, click the underlined artist name above to access Wikipedia link.
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NATIONAL PUBLIC RADIO | CKLW | NPR.ORG
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NPR’s Don Gonyea remembers the heyday of powerhouse AM radio. Gonyea grew up in Detroit, where the big station in the 60’s and 70’s was CKLW. It broadcast from across the Detroit River in Windsor, Ontario. It was a loud, glitzy noise-making enterprise. Everything was shouted — even the news.
The 50,000-watt giant spewed rock and roll and hyped-news across 28 states and mid-Canada. Gonyea describes the formula that made CKLW and its imitators successful. Produced by Don Gonyea and Dale Willem. NPR.ORG
THANK YOU to the following people for opening up their personal archives, suggestions, participation and for their comments (1999) –
Jon Belmont, ABC News, New York. Charlie Brown, Perrysville, Ohio. Keith Radford, Buffalo, New York. Ron Hummany, Detroit, Michigan. Art Vuolo, The Michigan Radio Guide. Tom Connard, The Aircheck Factory, Wild Rose, Wisconsin. Dick Kernen, Specs Howard School of Broadcast Arts. Jo Jo Shutty MacGregor. NPR, August 27, 1999

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NATIONAL PUBLIC RADIO | CKLW | NPR.ORG
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NPR’s Don Gonyea remembers the heyday of powerhouse AM radio. Gonyea grew up in Detroit, where the big station in the 60’s and 70’s was CKLW. It broadcast from across the Detroit River in Windsor, Ontario. It was a loud, glitzy noise-making enterprise. Everything was shouted — even the news.
The 50,000-watt giant spewed rock and roll and hyped-news across 28 states and mid-Canada. Gonyea describes the formula that made CKLW and its imitators successful. Produced by Don Gonyea and Dale Willem. NPR.ORG
THANK YOU to the following people for opening up their personal archives, suggestions, participation and for their comments (1999) –
Jon Belmont, ABC News, New York. Charlie Brown, Perrysville, Ohio. Keith Radford, Buffalo, New York. Ron Hummany, Detroit, Michigan. Art Vuolo, The Michigan Radio Guide. Tom Connard, The Aircheck Factory, Wild Rose, Wisconsin. Dick Kernen, Specs Howard School of Broadcast Arts. Jo Jo Shutty MacGregor. NPR, August 27, 1999

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MEMORIES OF THE BIG 8 — Big Jim Edwards — PART 3
1970 “CAN-CON”
By JIM DAVIS
(MCRFB Note: Did you miss PART 2? Please go here) —

I was anchoring AM drive. In the fall of 1969, Pulse was released. Morning Drive scored a 23.0 share of the 12+ audience beating the incumbent J.P. McCarthy on WJR. Despite the differences between Arbitron and Pulse, the audience share has never been duplicated. Of course, now there are far more competing stations and, music listenership is way more fragmented than in the Top 40 days when all Americans were beating on the same drum. None the less, those stripes have given me “bragging rights” for 40+ years.
All good things must come to an end —
Strike One: RKO General had purchased Western Ontario Broadcasters (CKLW AM/FM/TV) in 1956. After the Canadian Radio Television Committee (CRTC) tightened rules on foreign ownership of radio and TV stations allowing no more than 20% foreign ownership, RKO General was forced to sell off the Windsor group in 1970. CKLW-AM-FM and TV had their licenses renewed only until September 1, 1970.
They had until that time to conform to the new rules as their petition for exemption from the foreign ownership rules was denied. CKLW was sold to Baton Broadcasting in a “fire sale” that brought only $3M for the highly successful station. The end was near.
Paul Drew left for San Francisco as Ted Atkins moved on to KHJ in LA. Frank Brodie (Marshall) was named PD. Those of us who had spent considerable time with the company were given options to join other RKO stations. I was offered a transfer to 6-9M at WOR-FM in New York City. This had particular appeal since my parents lived in Manhattan. My last day at CKLW was June 21st, 1970.
The Big 8 was the 7th most listened to radio station in North America, according to the U.S. Arbitron ratings service. Almost two and a half million persons tuned to CKLW every week. This was the largest audience in the station’s history (to date).

Strike Two: But the CRTC was not through with it’s “chopping block” for the Big 8. The Board of Broadcast Governors was a Canadian arms-length government agency created in 1958 to regulate television and radio broadcasting. The BBG had “funny” rules (to us Americans) like no requirement for a “legal ID.” The top of the hour Johnny Mann acapella jingle sang “CKLW – The Motor City.” However, the BBG was replaced by the much stricter Canadian Radio-television and Telecommunications Commission (CRTC) in 1968.
The CRTC made it clear that they did not like that CKLW focused on an American audience. Following an extensive public hearing process organized by the CRTC, the Canadian Content rule (Can Con) was adopted in 1971, “to define and identify Canadian content in pieces of music for the purposes of increasing exposure of Canadian music on Canadian radio through content regulations governing a percentage (25%) of airplay to be devoted to Canadian music.”
The Big 8 utilized every trick in the book to get around the rules; they, edited down the Canadian pieces to 1 minute or less in length, they looked for “relatives” of popular groups or mixing engineers who may have had Canadian roots. But, ultimately, there was only so much of Anne Murray, Gordon Lightfoot and The Guess Who that American audiences were willing to tolerate. The ratings plummeted.

Strike Three: RKO was recognized as the owner of some of the most influential radio stations in the world. RKO General also became known for the longest licensing dispute in broadcasting history. The troubles started in the mid 60’s in Los Angeles when a competing applicant for KHJ Television accused General Tire of conditioning its dealings with certain vendors on the basis that they would in turn buy advertising time on RKO General Stations. Arrangements of this type, known as “reciprocal trade practices,” are considered to be anticompetitive.
The Commission gave RKO a conditional renewal of its TV licenses in LA and Boston. Then, in 1977, General Tire admitted to an eye-popping litany of corporate misconduct, including bribery of foreign officials and having a political slush fund. Since convicted felons cannot be licensees, in February 1983, the FCC began a concerted effort to force RKO out of broadcasting once and for all. Ultimately, by 1991, RKO General was out of the entertainment business. It was game over for the largest independent broadcast chain in America.
However, I think a saying I’ve quoted for years is appropriate: “God gives us memory so that we can smell the roses in December.” — Jim Davis
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P.S. Jim, thanks for your website and your personal contributions in helping to keep the Detroit radio memories alive! (J.D.)


A MCRFB Note: Jim Edwards, CKLW
Motor City Radio Flashbacks recently heard from Jim Davis (July 9, 2015), the former Big 8 jock formerly known as ‘Big Jim’ Edwards on CKLW. A special ‘THANK YOU’ goes out to Jim Davis for sharing his Big 8 recollections with us — today — exclusively here on MCRFB.COM. This is the THIRD and is the LAST installment of a three part CKLW series, as authored, by Jim Davis.
Missed Part 2? It’s over HERE.
Jim Davis, thanks again for sharing your CKLW memories, exclusively here, only on Motor City Radio Flashbacks.

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MEMORIES OF THE BIG 8 — Big Jim Edwards — PART 2
1968-1969
By JIM DAVIS
(MCRFB Note: Before starting — missed PART 1? Please go here) —
Paul Drew was a disciplinarian. He worked hard, walked fast, listened to his station intently, listened to the competition, expected the best from his staff, would not accept mediocrity, and was constantly chewing on the end of a magic marker. Because of the union at the station, the DJ’s didn’t run their own consoles. That position was occupied by “T.T. ops” (Turn-table operators). His tolerance for a bad “op” was measured in seconds. The best of the ops were for the most part frustrated disc jockeys. Some of them were fantastic….others, not so.
During my 3 years at the station I watched 43 men (no female ops) come and go from their positions. Most of them were T.T. ops that either were fired or quit under the extreme pressure.
Paul expected his jocks to be at the station one hour prior to the air-shift to prepare. That meant reading over the memorandum of instructions (there were many), reviewing alterations to the playlist, practicing live copy, and generally getting “psyched up” to kick the Big 8 in gear.

One winter morning, I had a dead battery which delayed my usual 45 minute drive from Farmington to Windsor by 15 minutes which meant that I would be arriving at the station only 45 minutes prior to my show. Paul checked with the guard gate and found that I was late in arriving. And in a quick phone call, he alerted me that he mandated one hour of preparation time, and that I was not to go on the air until 6:15AM. I wonder today if any program director cares enough to demand their air talents “best effort”?
Paul also had high expectations of himself. He never punched a clock; many times arriving at the station in the wee small hours of the morning. He had a transistor radio with him at all times and rarely missed a set. After doing the all night show for a couple of months when Billy Mack (Kris Eric Stevens) resigned, I was convinced Paul never slept.
The porch lamp in the studio known as the “Batphone” was connected to the PD’s private phone line. If the lamp lit, you could count on the fact that an error had been made. However, Paul always handled the calls with diplomacy and as a professional.
I never heard him raise his voice, although he could be very direct, and sometimes cutting. Example: There was a Mike Rivers “groupie” named Susan who desperately wanted to be the first female Big 8 jock. One day, she was in the lunch room at the station when Paul cruised through. I stopped him and introduced him to Susan. In a burst of energy she said “I’d really like to work here at the Big 8.” Paul’s response: “With a nasal voice like that, you’re wasting your time. You’ll never make it” and without missing a step, he continued walking into the music library. She was crushed. But, in less than 5 seconds he had told her the truth (the rest of us couldn’t). She didn’t have what it took to make it, and was not Big 8 material. Sometime, the truth hurts.
Paul made sure that his jocks got exposure and were always in the limelight. I met many of the Motown artists; MC’d at the (still) popular Roostertail (Paul was friends with the owners, the Tom and Jerry Schoeniths). I even got to host the Robin Seymour “Swingin Time” TV dance show on Channel 9. And, in a highlight I’ll never forget, I got to DJ an elite socialite dance for (a then young) Edsel Ford.
1968 was a busy year. Detroit was still reeling from the riots a year earlier. The Vietnam War took a swing with the Tet Offensive. Martin Luther King was murdered in April. Two months later, Robert F. Kennedy lost his life. And the Detroit Tigers took home the 1968 Pennant as Denny McLain in 1968 became the last pitcher in Major League Baseball to win 30 or more games during a season (31–6) — a feat accomplished by only thirteen players in the 20th century.
Each of these stories were brought to life by CKLW 20/20 news headed up by Dick Smythe who took his news as seriously as Paul Drew took his programming. At one point, CKLW news employed 27 people. Dick taught his people to write with flair utilizing colorful adjectives and descriptive adverbs. The news was full of alliteration and sometimes extremely graphic. I’m convinced that CKLW news was a “tune-in” rather than a “tune-out.”

Paul Drew and his team had brought unmatched success to the Big 8. Within a few months, the competition had been leveled. It was game over for WXYZ and WKNR. Meanwhile, CKLW gained number one status not only in Detroit, but in distant markets like Erie, PA; Fort Wayne, IN; Cleveland, OH; and even my beloved Toledo where I had cut my teeth for the Big 8.
One afternoon in ‘68, Paul called an “all staff” meeting which was his one and only during my time with him. He announced “it was time to go play pool on a bigger pool table.” He was exiting to join the Storer operation in Philly and would be running WIBG.
There was a huge let-down as the news filtered throughout the building. Could we sustain the amazing growth and level of professionalism the station had achieved? Only time would tell.
Gary Mack (MacDowell) who was highly respected in the Drake-Chenault organization would fill the gap temporarily until Jim O’Brien (Oldham) arrived. Jim had stints with Drake at KHJ, Los Angeles and WOR-FM in New York. Jim was an intense, and serious person, dedicated to his own personal success, as well as the company he was working for. He had a voice as big as the State of Texas, where he was born in. He had a young daughter Peri Gilpin (Oldham) that went on to have a famous career of her own as the character Roz on the Frasier television show.
Tragically, Jim was killed in 1983 during a parachute dive while saving the life of another skydiver. Jim’s stay at the Big 8 was brief. He was followed by Captain Showbiz Ted Adkins who brought a sense of camaraderie back to the station. However, Ted was needed in San Francisco at KFRC. All of these changes happened within a year. The Big 8 needed a leader…. And at just the right time, like magic…. Paul Drew returned. CKLW was in capable hands again.
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(Second of 3 parts, to be continued; – Part 3 — Tuesday, July 28, 2015)

A MCRFB Note: Jim Edwards, CKLW
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Motor City Radio Flashbacks recently heard from Jim Davis (July 9, 2015), the former Big 8 jock known as ‘Big Jim’ Edwards on CKLW. A special ‘THANK YOU’ goes out to Jim Davis for sharing his Big 8 recollections with us — today — exclusively here on MCRFB.COM. The SECOND of a three part series, we will publish the THIRD and final part of Jim Davis’ CKLW memories he authored, entitled, “1970,” next Tuesday, July 28, 2015.
Missed Part 1? GO HERE.

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