WHEN WKNR SIGNED OFF 40 YEARS AGO. THIS DAY ’72

WKNR SIGNED OFF INTO HISTORY TODAY, APRIL 25, FORTY-YEARS AGO

 

 

 


 

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DETROIT (April 25, 2012) — WKNR-AM, once the dominate radio station in Detroit during the 1960s, signed-off the 1310 AM frequency for the last time on this day, April 25, 1972.

The WKNR AM and FM studio facility at 15001 Michigan Ave., Dearborn, in the 1960s. (Photo courtesy Keener13.com)

 

Formerly WKMH-AM, the station made the switch to “the new Radio 13” on October 31, 1963. By early 1964, WKNR was by then the most popular radio station in Detroit and remained No. 1 in the market, still holding that status throughout the first six months through 1967.

WKNR, affectionately known as “Keener 13,” began it’s eventual slide from Detroit radio dominance in April, 1967. It was during this time WKNR saw their challenge met head-on by their other rival located across the Detroit river, CKLW.

WKNR No. 1 in 1965, according to this published trade article. (Click on image for larger view).

CKLW, during that time, was totally being restructured into a formidable radio powerhouse the Canadian station would become by year’s end.

RKO radio consultant Bill Drake and Paul Drew were the two people responsible for the major changes at the “Big 8.” Paul Drew, the newly-appointed program director at CKLW, patterned the same “Boss Radio” format Bill Drake and Ron Jacobs had programmed on 93 KHJ in Los Angeles. By 1965’s end, Jacob’s KHJ was by then the No. 1 radio station in L.A.

But WKNR would not easily go down without a fight. While going against the “Big 8” giant, the legendary Detroit radio station’s ratings were found inside a downward decline, all the while battling against two major fronts.

CKLW officially became the No. 1 radio station in Detroit by November, 1967, according to a Radio Response Survey published in Billboard on November 4.

CKLW, with it’s massive 50,000-watts of transmitted radio power covered 3 Canadian provinces and at times, their night-time signal spanned across 28 States. In contrast, after sundown, WKNR’s 5,000-watt signal was commonly known to be absent from the radio dial in areas east of Detroit and, more so, deficient in night-time coverage and strength.

By now, major changes had begun at WKNR both in the management and personnel level. In January of 1968, J. Michael Wilson was by then doing mornings on Keener. Dick Purtan had left WKNR for Baltimore. By the first week of April 1968, WKNR radio greats Bob Green, Jerry Goodwin, Ted Clark and Scott Regen were no longer there. Sean Conrad, Edward Alan Busch, Tony Randolph, Ron Sherwood, and Dan Henderson were to be the new voices on Keener 13.

WKNR survey guide from February 07, 1972 (Click image for larger view)
WKNR survey guide from February 07, 1972. (Click image for larger view).

Despite the many changes in the Detroit radio market scene at the time, WKNR’s battle for survival against CKLW and FM’s “free-form” radio would drag on for five years.

Near the end of 1971, according to a Detroit Arbitron radio rating for the period Oct./Nov., WKNR-AM had a 6:00 a.m. to 12:00 a.m. cume of 377,300 in total listenership during a given broadcast day. For WKNR, those numbers represented a reduction down to a 15 to 12 total market share. In comparison, WABX-FM ranked just under in total rank, with a cume of 330,000 during those same hours.

WKNR, who by then revamped its playlist to include some album-oriented tracks, also made much of their attempt to pull away from the “same as” CKLW all-pop music format. No longer were the top 31 songs part of the playlist rotation. Slashed in half, WKNR’s new playlist focused primarily on the top 15 hits instead, while “previewing” the other 16 songs or so for the week.

By late 1971 and early 1972, WKNR now was promoting itself as the new “American Rock and Roll” radio station. An obvious affront towards the dominance that was CKLW located in Windsor, Ontario.

MCRFB aircheck audio: WKNR Bob Chenault March 27, 1972


On the 100.3 FM side, the album rock-oriented ‘underground” format that was WKNR-FM was dropped after an unsuccessful run against WABX-FM. In it’s place, Stereo Island, an easy-listening music format, now found it’s place competing against WLDM-FM in Detroit.

MCRFB jingle audio: WKNR “Stereo Island” 1970


But the changes were not enough, and ultimately, it was not to be.

In the end, WKNR became the former on a brisk, chilly but sunny morning that was Tuesday, April 25, 1972. Just before 8:00 a.m., WKNR deejay John McCrae’s voice breaks but regains composure as he announced the inevitable —

MCRFB aircheck audio: John McCrae Last Moments of Keener 13 April 25, 1972

(This original audio source is property, courtesy of Scott Westerman and keener13.com)


“…This is John McCrae, I’d like to take it upon my, myself to speak on behalf of all the people who made Keener what it, was and is. You know, Pete Seeger, with a little help from his cosmic friend, wrote it much better than I could, and the Byrds sing it, much better than I, could ever say it. So this time Detroit, we’d like to thank you, for making nearly a decade — a Keener season.”

The very last Top 40 song WKNR would ever play -- before the 8:00 hour on the morning of April 25, 1972
Signing-off, the last WKNR Keener 13 Top 30 hit WKNR would ever play — before the 8:00 hour on the morning of April 25, 1972.

As the last few bars of the Byrd’s “Turn, Turn, Turn” began to fade, the magic that was once WKNR faded away with the song. But the memories, the events, the music, the great names, the faces and voices who crafted the Keener legacy a long time ago, remain in many a hearts and minds yet even still, to this day.

In 2002, thirty years since WKNR was last on the air, Scott Westerman and Steve Schram decided it was time someone gave WKNR it’s long due, with honors. Working together they packaged an incredibly amazing WKNR tribute site, aptly named, keener13.com.

This coming June, 2012, will mark a decade since the website’s creation. And the phenomenal story about this great Detroit radio legacy is still being told, remembered, and celebrated there on the world-wide web.

WKNR 'Together' logo from 1970 - 1971 (Click image for larger view)
WKNR ‘Together’ logo from 1970 – 1971. (Click image for larger view).

“Keener” was a radio station that went on to impact nearly a decade the many lives of a community it once served. It knew its listeners. And if only but for a short time, WKNR also was the station that, in all essence, knew the city of Detroit well by way of its prestigious award-winning news department informing and staying “on top of the news” during the station’s Top 40 reign here during the the 1960s and early-1970s.

As Bob Green previously commented to Scott Westerman on keener13.com, quote, “The WKNR experience provided some of my happiest radio memories.”

We agree.

As to a generation who grew up listening to top 40 radio in Detroit during the 1960s, one may actually say many of those “happiest radio memories” we recall having heard on Keener 13 — belongs to many of us today just the same.

WKNR. Those call letters would come to embody one sensational story. A story  of a Detroit radio station’s historic top 40 run to number one status (in short-order all within 9 weeks) after having signed on in October 1963.

And it is a story still remembered to this day. Forty years after signing-off into Detroit radio history one April morning, on this day, in 1972.

 


 A MCRFB NOTE: For a more comprehensive search in our MCRFB archives on WKNR to date, you may GO HERE.




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FLASHBACK POP MUSIC HISTORY: APRIL 25

From the MCRFB music calendar:

Events on this date: APRIL 25

 

 

 

 

 

 

 

 

1955: The United Nation’s Commission on Narcotics releases a report stating there is a “definite connection between increased marijuana smoking and that form of entertainment known as be-bop and re-bop.”

 

 

Rocker Eddie Cochrane in 1959. (Click on image for larger view).

1960: Eddie Cochran is laid to rest at Forest Lawn Memorial Park in Cypress, California.

1970: At today’s concert at Raleigh, North Carolina, the interracial band Pacific Gas and Electric Company is subject to verbal abuse while on stage. Later, as they leave, four bullets are fired in the van. No one is injured. no one is arrested.

1974: According to the new issue in Rolling Stone, “streaking” has become so popular that Yes and Greg Allman concerts have been interrupted by the fad. At a recent Beach Boys concert, the magazine says, the band was streaked by it’s own crew.

1977: Elvis Presley performs at the Civic Center in Saginaw, Michigan, with a mobile unit capturing what would be his very last recording, released on the RCA album Moody Blue.

1977: The musical variety television special Paul Anka — Music My Way, featuring Natalie Cole, The Savannah Band, and a host of cameos, airs on ABC-TV.

1981: Denny Laine leaves Paul McCartney and Wings, essentially leaving McCartney as a solo act once again.

1990: A London auction house sells the Fender Stratocastor on which Jimi Hendrix played the U.S. national anthem at Woodstock for $295,000.

1993: Legendary album artist Stanley “Mouse” Miller, designer of the Grateful Dead “skull and roses” logo, has his upcoming liver transplant financed by the band.

The Eagles Second Night Reunion Concert for April 28, 1994 on a promo CD cover. (Click on image for larger view).

1994: After an absence which lasted fourteen years, the Eagles perform at the Warner Burbank Studios for what will be the first of two reunion concerts chronicled on the live studio album Hell Freezes Over.

1994: A judge finds Michael Bolton’s 1991 hit “Love Is A Wonderful Thing” plagiarizes the Isley Brothers 1966 song of the same name, despite Bolton’s protest he’s never heard of the song.

2003: The parents of the late Doors lead singer Jim Morrison sue the remaining members of the band for touring with a new singer as “The Doors 21 Century” using the band’s image and logo.

2003: Nina Simone is laid to rest in Cary-Le-Rouet, France, with attendees including Miriam Makeba and gifts sent by luminaries like Elton John.

Billy Joel’s vehicle after second traffic accident in two years, this one in 2004. (Click on image for larger view).

2004: For the third time in two years, Billy Joel is involved in a traffic accident, driving his car into a home in Bayille, Long Island, New York. No one is injured.

 

 

 

 

 

 

 

 

 

 

 

 

And that’s just a few of the events which took place in pop music history, on this day….

 


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FLASHBACK POP MUSIC HISTORY: APRIL 24

From the MCRFB music calendar:

Events on this date: APRIL 24

 

 

 

 

 

 

 

 

1954: Billboard, taking notice in changes in music trends, publishes an article entitled, “Teenagers Demand Music With A Beat — Spur Rhythm And Blues.”

1959: After running on Saturday nights on radio for twenty-four years and TV for the last nine, the final installment of the musical countdown show Your Hit Parade airs on NBC-TV. The final Top Five: Elvis Presley, “I Need Your Love Tonight” (#5); Brook Benton, “It’s Just A Matter Of Time” (#4); Ricky Nelson, “Never Be Anyone Else But You” (#3); Dodie Stevens, “Pink Shoe Laces” (#2); and the Fleetwoods at No. 1 with: “Come Softly To Me.”

A young Bob Dylan performing inside a NY coffee house in 1961. (Click on image for larger size).

1961: Bob Dylan makes his first recording — playing harmonica on Harry Belafonte’s song “Calypso King.” He’s paid $50.00 — cash — for his efforts.

1961: Del Shannon’s “Runaway” hits No. 1 on the national charts.

1963: An 18 year-old Brenda Lee marries Ronnie Shacklett, one year her senior, in Nashville a mere six months after meeting him at a Jackie Wilson concert. Forty-six years later, the two are still a pair.

1965: Wayne Fontana and the Mindbenders’s “Game Of Love” hits No. 1 on the charts.

1968: The newly-formed Apple Records decides not to sign a young audition who goes by the name David Bowie.

1970: Having been invited to a White House dinner by Tricia Nixon, daughter of President Richard Nixon, the Jefferson Airplane’s Grace Slick brings the radical Abbie Hoffman with her, in an attempt to dose Tricia with LSD during the dinner. Hoffman is turned away at the door by the Secret Service and Slick decides to leave with him instead.

WKNR Keener 13 Bumper Sticker1972: Detroit Top 40 radio legend WKNR-AM conducts what will be it’s last 24-hour broadcast day. Unbeknownst to listeners of any immediate changes at the station, WKNR signed off before 8:00 a.m. the following morning and signed on playing an all-instrumental “beautiful music” format as the new WNIC-AM.

1976: In a parody of recent offers, Saturday Night Live producer Lorne Michaels goes on the air and offers the Beatles the whopping sum of $3,000 if they agree to to reunite on the SNL show. And it almost happens: Paul, visiting John at his New York apartment for what would turn out to be his last time, is watching the skit with John, and both consider going across town to the studio live. However, the duo by that time decide they’re too tired.

Jerry Lee Lewis and 22 year-old Kerrie McCarver weds in 1984. (Click on image for larger view).

1984: With questions still lingering about the death of his fifth wife, Shawn Stephens, Jerry Lee Lewis marries his sixth, Kerrie McCarver, the 22 year-old president of his fan club.

1992: The Cleveland Orchestra sues Michael Jackson for $7,000,000 upon discovering the singer used part of their recording of Beethoven’s Ninth Symphony on his album Dangerous.

1992: In his hometown of Inglewood, New Jersey, Wilson Pickett drives his car through the mayor’s front yard, yelling death threats at the house and accidentally running over an 86 year-old man. He is arrested and found with open containers of brew strewn about inside his car.

2007:  President George W. Bush is denied a luxury suite at the Imperial Hotel in Vienna when Mick Jagger, in town with the Stones on a tour, gets the ‘presidential’ treatment instead by booking it first.

 

 

 

And that’s just a few of the events which took place in pop music history, on this day….

 

 

 

 

 

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FLASHBACK POP MUSIC HISTORY: APRIL 22

From the MCRFB music calendar:

Events on this date: APRIL 22

 

 

 

 

 

 

 

 

1959: The Alan Freed “Rock and Roll” movie, Go, Johnny, Go! premier in New York City. The movie features Chuck Berry, Jackie Wilson, Ritchie Valens, Eddie Cochran, The Cadillacs, and The Flamingos.

1962: Jerry Lee Lewis loses his first son, Steve Allen (named after the TV host and good friend), in a tragic drowning accident at the age of three.

Go, Johnny, Go! Actual theater billboard poster; circa 1959. (Click on image for larger view).

1964: The President of England’s National Federation of Hairdressers makes headlines when he offers a free haircut to the next rock group who reach Number One.

1966: A young Bruce Springsteen gets a boost when his band The Castiles wins a battle of the bands at a roller rink in Matawan, New Jersey. The first prize? Opening for the Crystals and the Ad Libs at next week’s show.

1966: The Troggs “Wild Thing” was released today.

1967: Elvis Presley’s 23rd motion picture Easy Come, Easy Go premiers in Hollywood.

1968: Herb Alpert sings a Burt Bacharach composition, “This Guy’s In Love With You,” to his wife on the Tijuana Brass television special, Beat Of The Brass. It would spark a national demand for the song, which results in the song being released a few weeks later. It will become a million-seller later in the year.

1969: Herb Alpert’s A&M Records signs The Carpenters.

1969: On the roof of Apple headquarters at 3 Sevile Road in London, John Winston Lennon changes his name to John Ono Lennon.

1969: Today is Tommy Day. The Who performed their new rock opera Tommy for the first time on stage in its entirety at a concert in Dolton, England; five years later to the day, the group begins filming the movie version, and, on the same date in 1993, the Broadway play based on the album opens in New York.

1974: Rebone’s “Come And Get Your Love” is certified gold.

1976: Johnnie Taylor goes platinum with his No. 1 disco-hit, “Disco Lady.”

The Blues Brothers performs “Soul Man” on SNL; April 22, 1978. (Click on image for larger view).

1978: On tonight’s Saturday Night Live, John Belushi and Dan Aykroyd team up to debut two new characters called “The Blues Brothers,” who performs a cover version of Sam and Dave’s “Soul Man.”

1979: The Rolling Stones play two concerts in Oshawa, Ontario, for the Canadian Institute for the Blind, as a result of a court-ordered community service for guitarist Keith Richards, who was busted two years earlier for heroin possession.

1981: Eric Clapton is involved in a car crash near Seattle, Washington, and is hospitalized with bruised ribs and lacerations, just two days after he was released from a Minneapolis, Minnesota hospital after treatment was administered for an ulcer disorder.

 

 

 

 

And that’s just a few of the events which took place in pop music history, on this day….

 

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FRANK SWEENEY PUSHES MONUMENT RECORDS AFTER WKNR . . . DECEMBER 11, 1965

From the MCRFB news archives: 1965

Recording Industry’s Record Personnel, Station Management cited for ‘Communication Blackout’ by Frank L. Sweeney, Promotion Director; Monument Records

 

 

 

NEW YORK — The recording music industry is suffering from a tremendous lack of understanding between record personnel (simply known in the industry as “record men”) and radio people at the management level, according to Frank L. Sweeney, former music director at WKNR, now national promotion director with Monument Records and Sound Stage 7 Records. Sweeney (known as Swingin’ Sweeney on the air in Detroit) left WKNR mid-August to join Monument Records.

“I don’t think most record people truly know how radio station people operate — and conversely, more so — precious few people at the management level understand the record business. I would like to see better liaison at the management level between the radio and record industry,” he said. “When I call at a station, besides the music librarian and the program director, I’d like to see the station manager. After all, I represent an industry which supplies him with 87.7 per cent of his product — the percentage of programming that’s based on records.”

Frank L. Sweeney, former WKNR air-personality in 1965. (Photo cropped from back of a 1965 “Keener 13” music guide).

Sweeney felt that many radio men had a generally low regard for record people that wasn’t warranted. “This relationship between radio and the record industry just sort of grew — like Topsy.” That is why he believes that a national promotion man today has to be very aware of public relations. “I want to call on a station, to get to know everybody there, even if I don’t have a record to plug with me. I want the station to think constantly, and favorably, of Monument. I want to create a new image for me and Monument — we’re sort of synonymous now. I would hope that myself, as an air-personality going into the record industry, might contribute to a better understanding between the two businesses.”

The Problem with radio, he said, is that on most modern radio stations which program the Top 40 format, the only criteria used in programming a particular record is sales… not the merit of the record itself. “We’re feeding an industry it’s programming — and free.” He said he’d once figured that an ordinary station had used roughly $2,700 in records during a year at retail prices. It isn’t that the record industry is supporting broadcasters… $2,700 probably means little over-all in broadcasting costs over a year’s time, he felt. The wrong is that station managers very seldom pays that much attention to what their station is playing. It’s immaterial to a large number of them.

“Management in radio are good hard-working people. But the truth is most of them had their basic training in sales rather than music. Some of management have precious little knowledge of programming. They say ‘Hell, we’ll play top 40’ and we’ll either do one of two things: Hire a young man  whose basic job is not programming, but tabulating. Or get an old pro and turn everything over to him.

“But either way, there’s very little communication, or a lack of, between management and the man who does the programming.” The old cliche about radio stations not being in business to sell records may be, or may not be, true, he said. “But it was the choice of radio stations that records be used as the bulk of their product.”

To improve public relations between record companies and the radio business, Sweeney feels he’ll have to spend a lot of time on the road. “I can’t say the things I’ve said, and then hang around Detroit (his present headquarters) or in Nashville (headquarters of Monument Records)…. I’ve got to get out and see radio people — hopefully not only those who program the music, but the managers themselves.” END

(Information and news source: Billboard; December 11, 1965).

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DICK CLARK, NEW TV DANCE SHOW A HIT… OCTOBER 7, 1957

From the MCRFB news archives:

TV Jock Finally Comes Into Own

 

 

 

 

 

NEW YORK — The TV disc jockey show is is finally coming into its own on all three audience levels — network, regional and local. Heretofore strictly a second-choice medium for record plugs, video deejay shows have recently been hailed by many record dealers as a a prime sales stimulant for new releases, both singles and albums.

ABC-TV network deejay show “American Bandstand” was the No. 1 program in its time period ( 3 to 4:30 p.m., across the board) according to the September Trendex Report. The show chalked up a 5.7 rating,with a 35.6 share of audience–62 per cent higher than CBS and 35 per cent greater than NBC. “Bandstand” share-of-audience figure was more than double that chalked up by the web in the same time period in August, prior to the airing of “Bandstand.”

Dick Clark as host for “American Bandstand” on Philadelphia’s WFIL in 1957. (Click on image for larger view).

The show emanates from Philadelphia and features a crowd of teen-agers dancing to current pop disks, played by deejay-host Dick Clark, was termed “the greatest stimulant to the record business we as dealers have ever known,” as stated by Raymond Hunsicker, (Tower Grove Music Store; St. Louis) representing the Dealers of Greater St. Louis. Hunsicker added: “many dealers have installed TV sets in their record departments and have extended teenagers an invitation to watch the show in their stores.”

On the regional level, the “Top 10 Dance Party,” a syndicated Victor & Richards package, is currently carried in fourteen different cities. The TV show features local deejays as emcees with a record hop format, with each station following a general programming blueprint sent out weekly by Victor & Richards.

The package, created by writer-producer Alan Sands and executive producer Vic Lindeman, Jr., include detailed outlines for games,  merchandising features and contests, with Victor & Richards, providing the prizes in most cases.

In line with this, Sands is currently readying a new feature, tagged “Memento Auction,” which involves the auction of personal items of small value or gag items (such as lock of hair, etc.) donated by record artists. Money raised goes to local charities and the artists garner plugs for their disks. END.

 

(Information and news source: Billboard; October 7, 1957).

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DICK CLARK BANKS ON SHOW’S POPULARITY… NOV. 10, 1958

From the MCRFB news archive:

Mail Pull Rates Clark a Topper in TV Promotions

 

 

 

 

By JUNE BUNDY

 

NEW YORK — Dick Clark is considered one of the hottest merchandising and promotional properties in TV, as response to his phenomenal mail-pull response to premium promotion offered on his two ABC-TV network TV shows, “American Bandstand” and “The Dick Clark Show.”

Dick Clark circa 1956. (Click on image for larger view).

Clark is readying plans to extend his merchandising activities into the teen-age apparel on a big scale. He is also negotiating to star in a third network TV show — a panel program — in January. Meanwhile, Clark this week starts a nationally syndicated column of teen-age advise in the Sunday magazine, This Week, which has a circulation of 12,000,000 readers in the United States.

Although the Young & Rubicam Agency refuses to divulge figures on a contest Clark is conducting on his Saturday show to be named, still currently nameless, (“send in your name suggestion, plus five Beechnut Gum wrappers”) the agency said the response has been “remarkable,” and that Beechnut sales are up 100 per cent since it assumed sponsorship of Clark’s Saturday night show.

An indication of mail pull on the Beechnut contest may be seen in the fact that more than 600,000 copies of Clark’s annual Yearbook, which sells for $1.00, were sold recently in a two-month period, solely on the strength of plugs on Clark’s TV show. Beechnut’s first premium promotion with Clark was a deal whereby television viewers were asked to send 5 gum wrappers and 50 cents for a copy of Jerry Lee Lewis’ waxing of “Breathless.” Two TV pitches by Clark pulled in 48,000 requests for the premium-platter.

 

Beechnut Gum was a major sponsor for “The Dick Clark Show” in 1957. Magazine ad circa 1957. (Click on image for larger view).

Record mail-pull for Clark was chalked up recently on his annual dance contest, whereby listeners sent in votes for their favorite dancers among studio audience attenders. although no prizes were offered, Clark pull close to a million votes, with 700,000 votes registered during the first week.

Another premium deal Clark conducted for Bosco (offering an EP of “all all the hits” for 50 cents and a wrapper) drew a mail response of 262,000. In the teen-age apparel field, which will shortly be expanded to cover a line of Dick Clark dresses and blouses for teenage girls, Clark now endorses a Mary Jane show and a brand of Bobby Sox. Manufacturer of the latter reports that 120,000 orders were received for the sox (Clark’s picture is on the package) during the products first three weeks on the market.

Rating-wise, Clark’s “American Bandstand” continues to clobber the competition. During the year ending in September, the show ranked among the five top-rated daytime programs, with an average Trendex rating of 8.3 (48 per cent stronger than the average daytime rating of 5.6 per cent) and an average share of audience of 40.8. END.

 

(Information and news source: Billboard; November 10, 1958).

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NAME CHANGE IN JIM HAMPTON’S FACTOR . . . NOVEMBER 22, 1980

A MCRFB news brief: 1980

PH FACTOR NOW CREATIVE FACTOR

 

 

 

 

 

LOS ANGELES — The PH Factor, the Los Angeles-based production firm, has changed it name to the Creative Factor. Jim Hampton, president of the firm, cites expansion as the reason for the change. “The name Creative Factor better reflects what we’re all about today as a company,” says Hampton.

The name, according to Hampton, is just one of many preparations for expansion into music, television and multimedia in 1981. END

 (Information and news source: Billboard; November 22, 1980).

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KEN DRAPER AND JIM HAMPTON; L.A. CONSULTING FIRM . . . MARCH 31, 1973

A MCRFB news brief: 1973

Billboard ‘Programming Consultant’

 

 

 

 

Ken Draper, Programming DB Inc., 6430 Sunset Blvd., Suite 621, Hollywood, CA. 90028. 213-466-4116.

Ken Draper, veteran program director and manager, has staff of skilled personalities, program directors, and production directors under him. Can consult in programming, engineering, management, production, music. Among stations consulted are WPIX-AM in New York. Ken Draper, president; Chris Lane, director of country music programming; Bo Donovan, director of sales and marketing; Jim Hampton, production coordinator and director; John Wellman; music director. END

 (Information and news source: Billboard; March 31, 1973).

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