Author: Jim Feliciano
WGPR-FM STAYS REMOTELY ON DIAL… JULY 17, 1965
From the MCRFB news archives:
WGPR Station on Move, Has 36 Remotes a Week
DETROIT — A radio station that’s “kinda movin'” gets listeners and WGPR-FM is a station constantly on the move. Floyd M. Jones, station manager, said the station is “No. 1 among FM stations and No. 3 among stations — period.”
Probably the strongest example of how this station moves, however, is a countdown of its remotes — 36 a week. Jones handle a two-hour daily, three hours every Saturday evening doing a jazz record show from the Disk Jockey Lounge. Dan (Bull Frog) Harrison does a R&B record show from the Chit Chat Lounge. Deejay Larry Dixon may handle a random remote every now and then, but nothing steady at the moment; however, he does have a weekly record hop.
The 50,000-watt FM station broadcasts about 20 hours a day covering a radius of 75 miles around the Detroit metropolis. One reason for the tremendous success enjoyed by the station, Jones said, is that some 87 per cent of Detroit’s Negro element has FM radios. “But it’s more than that. We’re creating the image here that FM is more than just a background medium. We’re putting out a new sound.”
While the station programs record shows for the diverse Detroit populace such as Greeks, Italians, Hungarians, Polish and Mexicans, the main portion of each day is used for programming R&B — a total of three programs a day for a total of seven hours. Jazz takes up about four hours each day. Gospel music is played early in the morning. Sunday morning is devoted to remote broadcasts throughout most of the day through local churches. The station employs about 40 people. Bob Longwell is the station’s general manager.
Another reason the station is moving, according to Jones, is that programming and air personalities aims at three important and large audience segments. “I take care of the jazz fans,” Jones said. “Larry Dixon is a teen-oriented personality. And “Bull Frog” is for the rhythm and blues fans.” END.
(Information and news source: Billboard; July 17, 1965).
FLASHBACK ADS: “ACT NATURALLY” the BEATLES, ’65
FLASHBACK ADS: “LOVE MINUS ZERO” * EDDIE HODGES * 1965
FLASHBACK ADS: “I’M A FOOL” * DINO, DESI & BILLY * 1965
WRIF VOICE CROWD, SEATING CONCERNS FOR STONES CONCERTS… SEPTEMBER 26, 1981
WRIF PD Pleads For Reserve Seatings In Lieu of Crowd Rush Safety; Brass Ring Says ‘Festival Seating’ Admission Will Do Fine
DETROIT — A dome full of controversy over public safety including legal suits and radio and television editorials surrounds the upcoming Rolling Stones concert at the Pontiac Silverdome November 30 and December 1.
At issue is the practice of selling general admission tickets, also know as festival seating. Eleven persons died in the crush to get good seats in Cincinnati two years ago at a rock concert featuring the Who. Since then, public criticism of festival seating has led to seating policy reform in Ohio and orther parts of the country. There are no laws prohibiting festival seating in Michigan.

Concerns over safety gained added weight last week when a performance by the Rolling Stones in Worcester, Mass on Monday, September 14 turned into a disturbance. An estimated 4,000 fans turned out for a supposedly secret concert for 300. Seventy police offices tried to control and quell the crowd and made 11 arrests that evening in the process.
Following the incident at Worcester, two possible shows at Boston’s 2,800-capacity Orpheum Theater were scrubbed by city officials for security reasons. Instead, Boston Mayor Kenneth H. White suggested that the band play a free concert at City Hall Plaza Sunday. This suggestion was turned down, and according to promoter Don Law’s office, no Rolling Stones dates are scheduled for Boston at this time.
The Rolling Stones tour officially begins Saturday, September 26 when the group will play two shows before an estimated sold-out crowd of 90,000 at JFK Stadium in Philadelphia.

In Detroit, almost immediately following the recent announcement by concert promoter Brass Ring that seats for the two Silverdome concerts would be occupied on a general admission basis, Fred Jacobs, program director of WRIF-FM, went on the air with a plea for greater audience concerns amid crowd rush safety issues. The ABC-owned radio station’s television affiliate, WXYZ-TV, Channel 7, also editorialized against the planned seating arrangement.
Meanwhile, two University of Detroit law students has filed suit in Oakland County court to block the concert if tickets are not sold on a reserve seating basis.
Brass Ring has insisted that the concerts are safe and that the security arrangements are more than adequate,. If both concert dates are sold-out as expected, the gross income from 150,000 tickets will be estimated at $2.5 million.
The Stones current tour in support of the recently released Tattoo You LP will cover 21 cities. The expected attendance is estimated over 1.5 million fans who will pay an estimated $20 million to see the Stones perform.
The Stones were originally scheduled to play the Silverdome on November 30 only, but tickets for that concert sold-out in a few days. The heavy demand led to the addition of a second show for the following night with a limit of six tickets per customer sold by mail order only. Brass Ring Productions stated that the second performance at the Silverdome precludes a rumored appearance by the group in an unnamed small local club.

“Every promoter in the country learned by that (Cincinnati tragedy) and everybody’s planning better,” Jeff Ellwood, spokesman for Brass Ring says in defense of the seating plan for the Stones’ appearance in Pontiac. To avoid any possibility of a rerun of the fatal crush for seats, the Silverdome gates will be opened several hours before the scheduled showtime, security has been beefed up, and a phone hotline has been installed to give updates on the event.
WRIF’s PD Jacobs says that the contents of his editorial was “non-juicy,” asking questions of who’s responsible, is there a need for festival seating, and is it safe.
“Referendum (a call-in listener poll) is running 10 to 1 against festival seating,” Jacobs says. “The promoter took our latest editorial very personally. It’s too bad because the issue here is public safety. We love the Stones, everyone at WRIF is looking forward to the concerts, but why no reserve seating?”

Law students Steven Iamarino and James Rocchio filed for an injunction in Oakland County Circuit Court seeking a temporary restraining order barring the concerts unless the reserved seats are sold. The motion was denied by Judge Hilda Gage on September 11. She sets an October 7 court date to hear testimony on the case.
The plaintiffs Iamarino and Rocchio are suing the Silverdome, the city of Pontiac, Brass Ring and Rainbow Productions, the New York promoter, on the grounds the concerts’ proposed seating is a threat and danger to both public and personal safety.
“A class action may be approriate,” Iamarino says. The class action could include all those who requested tickets. Iamarino and Rocchio plan to submit lists of questions concerning public safety and security precautions at the Silverdome to all four defendants named.
L. Brooks Patterson, Oakland County Prosecutor, plans to step in if the Silverdome doesn’t act to “minimize the risks.”
“I consider festival seating risky,” says Patterson, “I’m waiting to see how far the stadium is willing to go to reduce the risk. By that I mena open up all the gates far in advance of the concert. If they only plan to open two or three gates a couple of hours before the show starts, we would take action in the form of a lawsuit.”
The Silverdome’s office of promotions and publicity says the entire stadium facility will be opened up. “Security and insurance coverage are contractual obligations of the promoter,” the office says, “and they are required to furnish extensive coverage.”
The State of Ohio and the city of Cincinnati took legislative action in wake of the 1979 tragedy, according to state legislative Senator Stanley Aronoff’s office. “It took 15 months for the legislation to act but now we have very detailed, stringent restrictions on festival seating, based on type of concert, area, and facility,” say Mary Williams of the Senator’s office.
“Of course, if you have a ballet and the crowd is 4,000 by admission that’s not the same concern. Cincinnati also has very strong local ordinances limiting festival seating,” she went on to add. END.
(Information and news source: Billboard; September 26, 1981).
FLASHBACK MOTOR CITY HAPPENINGS ’68… OCTOBER 12, 1968
IT’S WHAT’S GOING ON IN AND AROUND THE DETROIT MUSIC SCENE….

DETROIT — Robin Seymour, host for CKLW’s “Swinging Time” TV show, recently presented his annual Swingin’ Time Revue for seven days which began Friday, September 20 at the Palms Theater in downtown Detroit. The show billing spotlighted local R&B recording talents such as the Fantastic Four, Lonette, Detroit Emeralds, Little Carl Carlton, and the Precisions. . . . David Ruffin, former lead-singer for the Temptations, filed suit with Wayne County Circuit Court against Motown Records last month for a contract release. Ruffin feels he’s been “put on ice” as a solo artist with the label ever since his split with the group several months back. . . . Atco Records’ own the Cream are scheduled to perform on stage at the Olympia Arena on Monday, October 14. . . . Detroit’s Pioneer Recording Studio sponsored a “producer’s social” at their new studio at 20014 James Couzens. The 8-track complex boasts a 70-minute hour. . . . The Vanilla Fudge is booked into the Masonic Auditorium for Friday, October 18. . . . followed by Jose Feliciano, who will perform there the following Friday, October 25. END.
(Information and news source: Billboard; October 12, 1968).
WJR-AM RETURNS TO THE CBS RADIO NETWORK… JANUARY 12, 1963
From the MCRFB NEWS archive: 1963
After More Than 3 Year Absence, WJR Returns to the CBS Network

DETROIT — After a three-and-a-half-year separation, powerhouse WJR has rejoined CBS Radio, thus filling a glaring gap in the network’s nationwide coverage and adding more CBS “names” to the station’s own extensive personality roster.
The move has spelled no radical change so far in WJR station personnel, though much program shifting has been necessitated by the addition of such shows as “Arthur Godfrey Time,” Art Linkletter’s “Houseparty,” the “Garry Moore Show,” Betty Furness’ “Woman’s Word” and dozens of CBS News programs.

Biggest move slices Jim Wood’s popular afternoon broadcast of “Showcase,” an easy-going blend of pop music, album instrumental tracks, interviews, from a daily two hours and 15 minutes, cut down to 50 minutes across-the-board. Most of the lost time is being made up, however, on a new “Jim Wood Show,” from 10:05 to 11:00 P.M. The new program includes some of the “Showcase” ingredients with the addition of humorous skits written and enacted by the ‘man-of-many-voices’ Wood.
The long-time WJR music variety show, “Guest House,” has been torn down after nine-years as an evening program landmark, but re-appears almost intact as “The Bud Guest Show” in the 12:30 P.M. through 12:55 P.M. slot, featuring host Guest and the WJR orchestra led by Jimmy Clark. The shift, meanwhile, has knocked out a WJR music-oriented show, “Time Out For Music,” which will now be heard on Saturdays only.
Popular WJR air-personality J. P. McCarthy, considered by record industry personnel as being the Motor City’s top-rated record-spinner, has lost his Saturday afternoon segment of “Music Hall,” but has an extra 15 minutes tacked onto his late-afternoon into early-evening daily stint. His early morning spot is left as unchanged from Monday through Saturday.
A 50,000 watt, clear-channel station, WJR covers more radio homes than any station outside of New York, Chicago and Los Angeles — 15,500,000 people in four States plus an additional 3,000,000 in Canada. One of the nation’s pioneer stations, WJR began broadcasting in 1922 and has since become Detroit’s premier good-music radio station.
WJR has been a CBS affiliate from September, 1935 through May, 1959, when station management split with the network over the new Program Consolidation Plan. The Program Consolidation Plan (or PCP) involved compensating affiliates with free programing which they could sell to local advertisers, rather than paying the station cash for using network programming.
Cash Is Back

Dallas Townsend; Robert Trout; Stuart Novine; Jerry Coleman; Richard Hottelet; Alexander Kendrick; Douglas Edwards; George Herman; Winston Burdett; Leonard Berstein (pictured left).
Arthur Godfrey; Allan Jackson; Art Linkletter; David Schoenbrun; Betty Furness; Garry Moore; Nancy Dickerson; Charles Collingwood; Lowell Thomas; Chris Schenkel (pictured right)
Stations consider it as an unworkable “barter” system, declared it would hurt the industry and gave the network its six-months’ contractual notice. The plan was dropped by CBS early this year and cash compensation was restored, paving the way for this week’s return.
Since the schism, the CBS Radio Network had been without a regular outlet in the important Detroit market. The NBC outlet of longstanding is WWJ, the Detroit News station. ABC owns and operates WXYZ and WKMH programs Mutual news and sports shows.
Commenting on the move back to WJR, CBS Radio President Arthur Hull Hayes said, “We welcome the re-affiliation of WJR because it reflects the renewed vigor and indestructible importance of (CBS) network radio” having now been enjoined once again in the Detroit market. END
___
(Information and news source: Billboard; January 12, 1963)

FLASHBACK FRIDAY: THE FOUR SEASONS * 1964 * HD STEREO
FLASHBACK FRIDAY: THE BOBBY FULLER FOUR * 1966 * HD STEREO