SONGWRITER HAL DAVID DIES AT 91

From current MCRFB news wires:

HAL DAVID SUCCUMBS IN LA AT 91, TEAMED WITH SONGWRITER BURT BACHARACH IN THE ’60s AND ’70s

 

 

 

 

 

 

By BOB THOMAS and CHRISTOPHER WEBBER | Associated Press

 

LOS ANGELES — (AP) Hal David, the stylish, heartfelt lyricist who teamed with Burt Bacharach on timeless songs for movies, movies and a variety of recordings artists in the 1960s and beyond, has died. He was 91.

Songwriter Hal David poses for photographers as the Hollywood Chamber of Commerce honors him with a star on the Hollywood Walk of Fame in Los Angeles, California, on October 14, 2011.

David died of complications from a stroke Saturday morning at Cedars-Sinai Medical Center in Los Angeles, according to his wife Eunice David. He had suffered a major stroke in March and was stricken again on Tuesday, she said.

“Even at the end, Hal always had a song in his head,” Eunice David said. “He was always writing notes,”, or asking me to take a note down, so he wouldn’t forget a lyric.”

Bacharach and David were among the most successful teams in modern history, with top 40 hits including “Raindrops Keep Falling On My Head,” (by B. J. Thomas) “(They Long To Be) Close To You” (by the Carpenters) and “”That’s What Friends Are For” (by Dionne Warwick). Although most associated with Dionne Warwick, their music were recorded by many of the top acts of their time, from Barbra Streisand to Frank Sinatra and Aretha Franklin. They won an Oscar for “Raindrops Keep Fallin’ On My Head” (from the movie “Butch Cassidy And The Sundance Kid”), Grammys and Tonys for the songs from the hit Broadway musical, “Promises, Promises.”

David joined the board of the American Society of Composers, Authors and Publishers in 1974 and served as president 1980 to 1986. He was head of the Songwriters Hall of Fame from 2000 to 2011, and was Chairman Emeritus until the time of his death.

“As a lyric writer, Hal was simple, concise and poetic — conveying volumes of meaning in fewest possible words and always in service to the music,” ASCAP’s current president, the songwriter Paul Williams, said in a statement. “It is no wonder many of his lyrics has become part of our everyday vocabulary and his songs… the backdrop of our lives.”

In May, Bacharach and David received the Library of Congress Gershwin Prize for Popular Song during a White House tribute concert attended by President Barrack Obama.

Bacharach, 83, thanked Obama, saying the award for his life’s work topped even the Oscars and Grammys he won for individual accomplishments. David could not attend because he was recovering from a stroke. Eunice David accepted in his behalf.

“It was thrilling,” she said. “Even though he wasn’t there, Hal said it was the highest honor he ever received.”

More than 55 years after their first songs hit the airwaves, Obama said “these guys have still got it.” He noted their music is still being recording by such artists as Alicia Keys and John Legend.

“Above all, they stayed true to themselves,” Obama said. “And with an unmistakable authenticity,” they captured the emotions of our daily lives — the good times, the bad times, and everything in between.”

David and Bacharach met when both worked in the Brill Building, New York’s legendary Tin Pan Alley where songwriters cranked out songs and attempted to sell them to music publishers. They scored their first big hit with “Magic Moments,” a million-selling record for Perry Como.

In 1962 they begin writing for a young singer named Dionne Warwick, whose versatile voice conveyed the emotions of David’s lyrics and easily handled the changing patterns of Bacharach’s melodies. Together the trio created a succession of popular songs including “Don’t Make me Over,” “Walk On By,” “I Say A Little Prayer,” “Do You Know The Way To San Jose,” “Trains And Boats And Planes,” “Anyone Who Had A Heart,” “You’ll Never Get To Heaven” and “Always Something There To Remind Me,” a hit in the 1980s for the synth pop band Naked Eyes.

Bacharach and David wrote or numerous other singers: “This Guy’s In Love With You” (trumpeter Herb Alpert in his vocal debut), “Make It Easy On Yourself” (Jerry Butler), “What The World Need Now Is Love” (Jackie DeShannon) and “Wishin’ And Hopin'” (Dusty Springfield). The duo also turned out title songs for the movies “What’s New, Pussycat” (Tom Jones), and “Wives And Lovers” (Jack Jones).

Singer Smokey Robinson praised David’s musical legacy. “I hope that the music world will join together in celebrating the life of one of our greatest composers ever,” he said.

In a 1999 interview, David explained his success as a lyricist this way: “Try and tell a narrative. The songs should be like a little film, told in three or four minutes. Try to say things as simply as possible, which is probably the most difficult thing to do.”

The writer, who lived in New York, often flew to Los Angeles, where he and Bacharach would hole up for a few weeks of intense songwriting. Sometimes they conferred by long-distance telephone; “I Say A Little Prayer” was written that way.

David would recall working on a song that seemed to go nowhere. They stuck it in a drawer and left it there for months.

“This was particularly disappointing to me. I had thought of the idea at least two years before showing it to Burt,” David wrote in a brief essay on his website. “I was stuck. I kept thinking of lines like, ‘Lord we don’t need planes that fly higher and faster….’ and they all seemed wrong. Why, I didn’t know. But the idea stayed with me.

“Then, one day, I thought of ‘Lord we don’t need another mountain,’ and all at once I knew how the lyric should be written. Things like planes and trains are man-made, and things like mountains and rivers and valleys are created by someone or something we call God. There was now a oneness of idea and language instead of a conflict. It had taken me two years to put my finger on it.”

And so they had another smash: “What The World Needs Now Is Love.”

The hit-making team broke up after the 1973 musical remake of “Lost Horizons.” They had devoted two years to the movie, only to see it scorned by critics and audiences alike. Bacharach became so depressed he sequestered himself in his vacation home and refused to work.

Bacharach and David sued each other and Warwick sued them both. The cases were settled out of court in 1979 and the three went their separate ways thereafter. They reconciled in 1992 for Warwick’s recording of “Sunny Weather Lover.”

David, meanwhile, went on to collaborate with successfully with several other composers: John Barry with the title song of the James Bond film “Moonraker;” Albert Hammond with “To All The Girls I loved Before,” which Julio Iglesias and Willie Nelson sang as a duet; and Henry Mancini with “The Greatest Gift” in “The Return Of The Pink Panther.”

Born in New York City, David had attended public schools before studying journalism at New York University. He served in the Army during World War II, mostly as a member of an entertainment unit in the South Pacific. After the war, he served as a copywriter at the New York Post, but music was his passion and he had written lyrics for Sammy Kaye, Guy Lombardo and other bandleaders before hooking up with Bacharach years later.

He married Anne Rauchman in 1947 and the couple had two sons.

(This AP article was published in the Detroit Free Press, Sunday, September 2, 2012).

Burt Bacharach, left, and Hal David pose with singer Dionne Warwick at the “Love, Sweet Love” musical tribute to Hal David on his 90th birthday in Los Angeles, California. David died Saturday, September 1, 2012.

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FLASHBACK MOTOR CITY HAPPENINGS ’67. . . JULY 8, 1967

From the MCRFB news archive: 1967

Music Happenings In and Around Detroit Town, 1967

 

 

 

 

Detroit — Columbia Records, Tom and Jerry Schoenith’s Upper Deck of the Roostertail and CKLW combined Monday, July 3 in an all-out promotion for Columbia’s Moby Grape. Columbia Records promotion man Russ Yerge brought the Grape into town that day and arranged with the Schoenith’s to have a special Moby Grape night at their club, which is normally closed Mondays. The public was admitted free. Paul Drew, program director of CKLW, co-operated in promoting the evening with a barrage of spot announcements about the free show. Drew also put the group’s single “Omaha” on his CKLW Big 30 playlist. All of the CKLW deejays, including Tom Shannon and CKLW-TV personality Robin Seymour, were on hand at the Upper Deck to introduce the Haight-Ashbury San Francisco band. The new group earlier in the day appeared on Seymour’s TV show. . . . Terry Knight is booked into the Chess Mate for two weeks beginning Monday, July 10. . . . The Bee Gees are coming into Detroit on a promotion trip Thursday, July 13. . . . Gordon Lightfoot is playing at the Living End the week of July 17. . . . Nanett (Fabray) was in Detroit Tuesday, July 4 to promote her Canusa record, “The Look Of Love.” END

The Grape in 1966.
San Francisco’s Haight-Ashbury band Moby Grape in 1967. (Michael Ochs Archives).

(Information and news source: Billboard; July 8, 1967).

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FLASHBACK MOTOR CITY HAPPENINGS ’67 . . . AUGUST 19, 1967

From the MCRFB NEWS archive: 1967

Music Happenings In and Around Detroit Town, 1967

 

 

 


The Monkees’ Concert was canceled at Detroit’s Olympia Stadium, Saturday, July 29, 1967.

DETROIT — The Monkees concert originally scheduled for July 29 at Olympia Stadium which was canceled due to the riots, was rescheduled for August 13. WKNR, alongwith its promotion and production department, heavily advertised and was sponsor to the Detroit sold-out event, in conjunction with Dick Clark Productions. . . .  The Pleasure-Seekers, an all-girl group from Grosse Pointe, are booked into Trude-Heller’s in Manhattan and have signed with Associated Bookings in New York. . . . The Grateful Dead played at the Grande Ballroom, a psychedelic ballroom-venue here owned by Russ Gibb, on Friday and Saturday, August11 – 12. . . . . CKLW-TV personality Robin Seymour is hosting a series of ‘Celebrity Nights’ at the Upper Deck at the Roostertail on Mondays. He opened on Monday, August 7 with the Rationals, Deon Jackson and Chris Peterson. . . . MGM promotion manager here, Larry Benjamin, is hosting a party for the Paupers to meet disk jockeys and the press at the Pontchartrain Hotel Wednesday, August 16. . . . The Kingsmen are booked to perform at the University of Detroit, Saturday, August 26. . . . “Bearskin Rug Sounds,” an album of readings by CKLW disk jockey Tom Shannon, did so well locally that it will be distributed nationally on the Sound label. . . . Walsh Allen has joined WJLB as operations manager. He spent three years as program director at Cleveland’s R&B WABQ. . . . The Jimi Hendrix Experience makes its first Michigan appearance at the Fifth Dimension in Ann Arbor on Tuesday, August 15. . . . The Spencer Davis Group is in concert at the Ford Auditorium here, slated for Thursday August 24. . . . The Motown Records sales convention takes place here August 25 – 28. END

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(Information and news source: Billboard; August 19, 1967)


A MCRFB Note: For more on the WKNR 1967 “Monkees In Detroit” concert, see our previous MCRFB March 3, 2012 feature, here.

For more on Tommy Shannon’s “Bear Skin Rug” Music LP, see our previous MCRFB May 4, 2012 feature here.


The Monkees in 1967. WKNR and Dick Clark sponsored the (re-scheduled) Monkees’ Concert at the Olympia on August 13, 1967.

Legendary CKLW great Tom Shannon was host to “Bearskin Rug” in 1966. (Photo courtesy Tom Shannon)


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“MOTOWN MONDAYS” GOING ‘LIVE’ FOR WKNR . . . SEPTEMBER 17, 1966

A MCRFB NEWS brief: 1966

Scott Regen Host Motown At Detroit’s Roostertail Club For WKNR

 

 

. . .The Upper Deck of The Roostertail, is proud to present . . . .

 

From the MCRFB Aircheck Library featuring WKNR-AM

Motown Monday LIVE at The Roostertail (w/Scott Regen) 1966


 

DETROIT — The “Motown Mondays” at Detroit’s Roostertail Supper Club are now being broadcast on WKNR, Detroit, each Saturday at 11 P.M. Scott Regen is host. Artists of Motown Records appearing on the show include the Four Tops, Junior Walker & The All-Stars, Marvin Gaye, Martha & The Vandellas, Smokey Robinson & The Miracles, The Marvelettes, The Supremes and The Temptations. This marks the first time in memory that “live” entertainment and music will have been broadcast on WKNR exclusively from the location for the nightly popular Scott Regen Show. END

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Addendum: In 1967, Scott Regen, heard nightly 7 to 10 p.m. on WKNR at the time, wrote the liner notes for “The Supremes Sings Holland – Dozier – Holland” Motown LP. Scott also wrote the liner notes for “The Four Tops Live At The Roostertail” and can be heard singing along side with the Four Tops on “Reach Out.” Scott Regen also introduced the Temptations on their 1967 album “The Temptations Live At The Roostertail” as well. On ‘Keener 13,’ Scott Regen became the highest-rated night-time deejay in Detroit – No. 1 — in 1965, 1966 and 1967. Truly, Scott Regen was “Detroit Radio King Of The ’60s!

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(Information and news source: Billboard; September 17, 1966)

The Roostertail, 100 Marquette Drive, Detroit, MI. 48214

Inside the spectacular Roostertail Supper Club as it looked in the 1960s. Besides showcasing Detroit Motown artists during that era, many, many other great acts performed here since its opening in 1958.

The Roostertail Upper Deck bar and lounge area circa 1967.

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MCKENZIE TOURS ENGLAND ON “SAN FRAN” HIT… OCTOBER 14, 1967

From the MCRFB news archives:

McKenzie Tours Overseas With Mamas & The Papas

 

 

 

 

 

Scott McKenzie. (Click on image for larger size).

New York — Scott McKenzie is solidifying the European success of his single, “San Francisco (Be Sure To Wear Flowers In Your Hair),” on Ode Records, with a promotion tour of England and the Continent this month. Accompanied by Lou Adler, head of Ode, McKenzie will be introducing his new single, “Like An Old Time Movie.”

A highlight of McKenzie’s trip will be an October 30 appearance at London’s Royal Albert Hall, where he will be the guest star at a Mamas and the Papas concert there. CBS International affiliates are moving quickly to release the new single in their markets to coincide with McKenzie’s tour while abroad.

In conjunction with his new Ode release, CBS Records is giving McKenzie a hefty promotional push stressing the theme, “The Voice Of Scott McKenzie.”

The “San Francisco” U.S. hit has taken off in England, Germany, Belgium, Holland, Luxembourg, Norway, Sweden, Denmark and Australia. It’s now beginning to move out in France, Italy, Japan, Latin America and Spain. END.

 

(Information and news source: Billboard; October 14, 1967).

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SCOTT MCKENZIE DIES AT 73 — AUGUST 18, 2012

From current MCRFB news wires:

SCOTT McKENZIE, SINGER OF ’67 ‘SUMMER OF LOVE’ BALLAD, DIES AT 73

 

 

 

 

 

 

By LESLIE KAUFMAN / Published: August 20, 2012

 

Scott McKenzie, who performed the 1967 ballad “San Francisco (Be Sure To Wear Flowers In Your Hair),” which became a defining hit for the counterculture generation and helped draw tens of thousands to the Haight-Ashbury district for the Summer Of Love, died on Saturday at his home in Los Angeles. He was 73.

Scott McKenzie 1939 – 2012 (Click on image for larger view).

The cause was unknown, said Dr. Frank Snyder, one of his physicians. A web site devoted to Mr. McKenzie said that he had been ill for several weeks and that he suffered from Guillian-Barre Syndrome, a disorder that causes the immune system to attack the nervous system.

“San Francisco” was written by John Phillips, founder of the Mamas and the Papas, who had been a friend of Mr. McKenzie’s since high school. The two started a band called the Journeymen, which recorded several albums in the 1960s.

In the song, Mr. McKenzie sang lyrics like these with a slow, almost mournful cadence:

All across the nation, such a strange vibration.

People in motion.

There’s a whole generation, with a new explanation.

“San Francisco” hit a nerve with people looking to protest what they saw as an unjust social order, and it rocketed to the No. 4 position on the pop charts in 1967.

But despite the song’s success anda subsequent tour with the Mamas and the Papas, Mr. McKenzie never had another hit single. He took a break from the music business and moved to Virginia Beach, where he was married briefly to Anzy Wells, Dr. Snyder said.

In the late 1980s he made a comeback of sorts. He toured with a reconstituted Mamas and the Papas and, with Mr. Philips, Mike Love and Terry Melcher, wrote “Kokomo,” an upbeat love song that became a No. 1 hit for the Beach Boys.

Born Philip Blondheim on January 10, 1939, in Jacksonville, Fla., Mr. McKenzie grew up under difficult circumstances. His father died before he was 2, and his mother was forced to travel for work, so he was raised by his grandmother. No immediate family members survive.

In discussions with friends, he expressed mixed feelings about the song that defined his career and life. Fame in the short run had been overwhelming and even terrifying. He found it “sick” and “perverse” that strange women wanted to sleep with him.

But over time, his view of the song changed.

Chris Campion, who is writing a biography of John Phillips, interviewd Mr. McKenzie this year and said that the singer had told him that soldiers returning from Vietnam would sing the song on the airplane to San Francisco. He later became friends with some of those veterans and would tour the Vietnam Veterans Memorial with them.

“He was grateful that he had an opportunity to have such an impact on their lives,” Mr. Campion said.

From left, Denny Doherty, Michelle Gilliam, Scott McKenzie, Cass Elliot and John Phillips in London in 1967.

(This article previously published August 20, 2012 in The New York Times).

http://www.youtube.com/watch?v=Assf1T6LN9c&feature=related

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