WKMH-AM ‘CRUISIN’ 1956′ WITH ROBIN SEYMOUR

From the MCRFB vinyl archives:

CRUISIN’ 1956  Increase Records (1970)

 

 

 

 

 

Cruisin’ 1956 was released in June, 1970

ORIGINAL LP COVER NOTES

By Jerry Hopkins

 

 

 

The CRUISIN’ history of rock and roll radio begins in 1956, one of the most exciting years in “pop” history, and to take us down this memory lane (with a beat) is Robin Seymour of WKMH, which was, when he joined it, a little-known station In Dearborn, Michigan. Robin came to the suburban Detroit station from the Armed Forces Radio Network and he brought with him a voice that mixed the warm, confidential tone of an intimate friend with the slick disc jockey rap we all know today, a blend which made him a natural for housewives and teenagers alike.

WKMH’s Robin Seymour

Robin never had any particular ethnic identification or allegiance but the “Bobbin’ with Robin Show” quickly found its audience, as he constructed a bright, orderly program that featured (almost exclusively) the records listed on the sales charts printed by the music press. He also was among the first of the nation’s deejays to ask his listeners what they thought about new records, and hosted some of the earliest sock hops and commercial tie-ins with local record stores. In 1953 he was named “Disc Jockey of the Year” by Billboard, the music trade magazine. The following year he was given the same title by another publication, Hit Parader.

1956: President Eisenhower underwent an operation to relieve blockage of the small intestine due to ileitis, but physicians said he would be physically fit to run for re-election. Scientists said radiation was a peril to the future of humanity, Egypt seized the Suez Canal and the United Nations established the first international police force on the Sinai Peninsula. The first trans-Atlantic telephone cable system went into effect. The Hungarians revolted. Six Marine recruits were marched into a stream at Parris Island and drowned. The Andrea Doria sank off the coast of Massachusetts. And Elvis Presley and the spread of rock and roll nearly pushed everything else in this list of news stories right out of the conversation.

This was the year Elvis recorded Heartbreak Hotel, Don’t Be Cruel, Hound Dog and perhaps half a dozen other million-selling songs . The first of these (Hotel) appeared in the number one position the end of April and that song or another by Elvis occupied the same lofty spot twenty-five of the year’s remaining thirty-six weeks.

1956 was the year “rock ‘n’ roll” became an angry epithet, blamed by psychiatrists and religious leaders (not to mention thousands of parents) for the rise in juvenile delinquency; some even said it was all a part of some Communist plot. Elvis and his pack of noisy imitators were called obscene and there were real riots at dozens of concerts. There were non-rockers on the record charts, to be sure, but it was Carl Perkins’ Blue Suede Shoes and Bill Haley’s Alligator that became a part of the New Culture, not Gogi Grant’s Wayward Wind and Morris Stoloff’s Picnic. The war babies had come to teen-age.

Most adults in ’56 thought it was a fad and that “it” would go away. Most radio listeners believed otherwise. There were a number of rock giants on the popular music charts in 1956 and many had made their abrupt and rhythmic appearances there after serving an apprenticeship in the ghetto called rhythm and blues.

That’s what 1956 was: the teen-age 1776. There’d been rumblings earlier, but this year all the lines were drawn.

 

— Jerry Hopkins

 

http://www.youtube.com/watch?v=g4D4Lf6z0HY

Crusin’ series conceived and produced by Ron Jacobs

Recreating one of his old radio shows from 1956 is Robin Seymour, who then was with WKMH in Dearborn, Michigan. He had come to this suburban Detroit station from Armed Forces Radio and soon his warm, confidential tone had won him teenagers and housewives alike. His BOBBIN’ WITH ROBIN show was the reason BILLBOARD named him Disc Jockey of the Year in 1953, and HIT PARADER magazine did the same in 1954. Today he’s in television and concert promotion in Detroit. For this album, Robin Seymour was the first of the seven disc jockeys in the CRUISIN’ series selected as the best living representatives of Fifties and Sixties radio from seven top American radio cities.

(Cruisin’ LP series notes by producer Ron Jacobs, for Increase Records; 1970).

And today, a Robin Seymour video message from 2010 . . . .

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ARETHA RISES FROM CHURCH PEWS TO ‘LADY SOUL’ STARDOM . . . JULY 13, 1968

From the MCRFB NEWS archive: 1968

Miss Franklin Riding Big Wave In ’68 On New Found R&B Success

 

 

 


Detroit’s beautiful soul sensation Aretha Franklin from a Vogue spread 1968

 

NEW YORK — Before soul music moved “downtown” into the money, Aretha spent her Sundays singing in her father’s Baptist church in Detroit. Then, eight years ago, Aretha jumped off the gospel train, arrived in New York and kicked off a career that so far has netted her riches, five gold records, including one for an album, and a Billboard citation as the top female vocalist in 1967. But it wasn’t until last year, when “Lady Soul” met Lady Luck dressed up at Atlantic Records did Aretha move into the real money.

“I wanted to have a gold record,” remembers Aretha. “I wanted one so bad — to sell a million of something.” Jerry Wexler, Atlantic’s dean of soul, brought Aretha from Columbia, where her talent sputtered in their “pop inclined” climate, and gave her complete freedom to further expand more of her abilities and talents. But along with her artistic freedom, Wexler also supplied the tools to form her own free expression into self-discovery; tuned-in musicians from Memphis, a full hopper of materials to pick from, and plenty of gold records lining the walls for inspiration. “Atlantic came up with the same sound that I was feeling at the same time,” said Aretha. What Wexler did was allow the singer to grow at her own pace, into her own style.

Aretha Franklin makes Time June 28, 1968 (Click on image for larger view).

In 1968, Miss Franklin will earn more than $750,000. Atlantic Records will reap a portion of Aretha’s record harvest in return for a million-dollar contract payable over the next several years. On the strength of her soaring stock, Time magazine toasted Miss Franklin with a front cover and, with a five-page story in the June 28 issue, marking her official coronation as “Lady Soul.” Miss Franklin will only talk in public about the cover, but not about what’s inside. The length of the article, she says wryly, is “something to speak about.” Privately, she thinks Time “could have stayed a little closer to the fact” concerning her personal life.

Husband as Manager

In addition to her Atlantic contract, Aretha has signed up with her husband, Ted White, for personal manager. “We haven’t had any real trouble so far,” said Aretha about the boss-husband twist, “but it is difficult having your husband as manager. You never know what side he’s coming from — from the husband side or manager side.” But when the bookings are in and they can retreat to their 12-room colonial home in Detroit as a couple and not as partnership, Aretha’s business demons dissolve with the immediate pleasure of her family. “All I want to do,” Aretha muses, “is to be able to function as a simple, honest and true citizen as a human being.”

On stage, Aretha blends earthly humor with the dignity of a Sunday sermon. She will talk about her stiff piano stool back, the sting of new shoes pinching at her heels and, the next moment, belt out “Think” or “Baby, I Love You” with brilliant bursts of gospel power, back-porch blues or rhythm and blues. She toured Europe in the spring and plans to do it again. “It was the greatest,” she said. In Holland, the audience threw flowers — bouquets of flowers and roses — and in Stockholm, the Crown Prince and Princess sat in the audience.”

But despite the gold already won and new gold on the way for albums Aretha: Lady Soul and Aretha Now, she shuns the refinement of pop royalty. “I by about 20 pounds of chitlings every two weeks,” says the young soul singer. Ray Charles called her “one of the greatest I’ve heard any time.”

Miss Franklin will follow up her recent Madison Square Garden appearance for the Martin Luther King fund with a special solo concert at Newport in August. On August 20, she will be featured on an ABC-TV special and, later this summer, she will perform in Caracas, Venezuela. END

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(Information and news source: Billboard; July 13, 1968)


Atlantic Records studio producer Jerry Wexler and Aretha Franklin strikes gold in 1967.


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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * NOVEMBER 14, 1966

From the MCRFB archive files:

THE TOP 35 HITS ON WXYZ THIS DATE IN 1966

 

 

 

 

W X Y Z  N O .  1   S O N G  W E E K  O F  N O V E M B E R  1 4 ,  1 9 6 6  

B O R N  F R E E  —  R o g e r  W i l l i a m s

http://www.youtube.com/watch?v=-eK2B_j48eo

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THE GREAT VOICE OF THE GREAT LAKES — LEAVING DETROIT? . . . JANUARY 5, 1985

From the MCRFB NEWS archive: 1985

Motor City Outcry Changes WJR/WHYT Moving Plans

 

 

 


 

The Fisher Building. WJR “The Great Voice of the Great Lakes” almost left the building and Detroit back in 1985. (Click on image for larger view).

DETROIT — WJR/WHYT are staying put, to the great delight of the Motor City. Public outcry following the stations’ announcement last spring that they would be moving to nearby Troy after 62 years in Detroit was so great, according to WJR/WHYT president and general manager Ron Pancrantz that “management decided the station won’t relocate.”

The announcement came (recently last) December 5, the same day the Detroit City Council passed a unanimous resolution urging the Detroit radio landmark to stay in the city, says WJR promotion director Diane Taylor.

According to Taylor, the 50,000 watt clear channel station has been broadcasting from the art deco Fisher Building since May 4, 1922. Capitol Cities Broadcasting of New York bought the AM/FM combo in 1964 for $21 million and has remained as owner ever since.

Last spring, WJR management announced that the station would be moving 10 miles north to suburban Troy, sometime in 1985. The strong public reaction against the proposed move, coupled with the FCC’s initial rejection of their application — due to too much distance between headquarters and transmitter — caused the station to reconsider.

According to general manager Pancrantz, the FCC’s preliminary ruling against the move “was not a major factor in the decision. Our attorneys had told us we could convince the FCC to approve our move. But it is the outpouring of the public and Detroit city officials that convinced us we should respond to the city’s invitation to explore other locations.”

The lack of needed space for station headquarters has not changed, says station promotion director Taylor, but a new location is now being sought within Detroit city limits. END

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(Information and news source: Billboard; January 5, 1985)



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15001 MICHIGAN AVENUE, YESTERDAY AND TODAY . . . NOVEMBER 7, 2012

From the MCRFB desk of Jim Feliciano —

Does This Landmark Dearborn Building Deserve A Place In the State Historical Registry?

 

 



A VIEWPOINT

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The front entrance to the former WKNR/WNIC facility today. (Click on image for larger view). Photo: Jim Feliciano, November 3, 2012.

DEARBORN, November 7, 2012 — There are no signs. No overhangs. Just five large numbers on the front side, hanging left near the door’s arched entranceway. The address numbers read 15001. The building, near Greenfield, sits on Michigan Avenue. Today it sits empty.

In passing, if you don’t know anything about Detroit radio history (with the passing of many, many years since), it’s just a building. You’ll find no references. There are no markings anywhere that would reflect one time there was a legendary top 30 Detroit radio station, right here. Not even a hint nearly five decades having passed, the greatest success story ever in Detroit radio history —  probably the greatest radio success story in all of the 1960s — had taken place within the walls and confines of this building.

But to many of us who can still remember, a glance at this building still evokes an aura and magic this building once held. WKNR. Keener 13. History. Here once there was a radio station, in good standing, who once served Detroit with quality broadcasting for nearly a decade. All from from this little brick and mortar Dearborn location.

Let’s turn a page back to Detroit radio history. It’s 1963. Here is the first Billboard article which made its first reference to WKNR, just seventeen days after it signed on.


What’s New in the World of Programming: See Four-Way Detroit Battle

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Billboard Magazine November 16, 1963 edition

DETROIT — A four-way battle is shaping up in this market with the immediate changeover in programming at WKMH.

The Dearborn-based 5,000 watter has introduced a new set of calls, WKNR, several new airmen, and a radical switch from a soft sound in music to a “30 plus 1” format. Detroit will be one of the few markets where severe competition is taking place among three or more pop music stations.

The Knorr-owned outlet has been under the program doctoring of consultant Mike Joseph for many months. Soft standards have been the path for more than a year. WKMH (now WKNR) was once the major pop music outlet in the market. Today, a major new fight is developing with the new WKNR, RKO’s 50,000 watter, CKLW (which recently added Tom Clay in the late p.m. to help accentuate their positive pop sound), WJBK, Storer-owned swinger, and WXYZ, the ABC-owned pop rater in Detroit.

Mort Crowley (KHJ defector) broadcasts 5 to 9 a.m., followed by the Motor City’s famous Robin Seymour in the 9 to noon slot. Jim Sanders is handling the noon to 3 p.m. shift with Gary Stevens hosting the 3 to 7 p.m. segment. Bob Green goes up to midnight and Bill Phillips holds the fort all night long until 5 a.m. END

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(Billboard Magazine, November 16, 1963)


The first Keener jocks. WKNR Music Guide (back-side) dated November 14, 1963. (Click image for larger view).

That’s how it began 49 years ago. The birth of a legend in the making back in 1963. The beginning of a phenomenon known as Keener radio. The rest is Detroit radio history. And to many of us Detroiters, this place is historic.

George Griggs, Scott Westerman, Greg Innis, and I for one, we believe this former Detroit radio landmark deserves its place. . . somewhere. Maybe with the Michigan registry for historical places? Would that be fitting? We can’t call that. But people should know something about the history which took place here.

When WKNR was sold the new owners immediately switched calls to WNIC in 1972. The station that would become “Detroit’s Nicest Rock” carried on many years of success on the FM band with it’s adult-oriented soft rock format. WNIC-FM went on to further extend its reign on Michigan Avenue well over three more decades. WNIC moved north to Farmington Hills, Michigan in 2006.

In closing, we don’t know what may, or may not, constitute States’ criteria for marker eligibility at the moment. But this much we do know. There sits an empty building in Dearborn today. The address reads 15001 Michigan Avenue.

 

Certainly this historic place deserves something better than that.

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MOTOR CITY RADIO FLASHBACKS


For more on the history on what took place inside this building, and everything there is to know about the legendary WKNR, see Scott Westerman’s premier WKNR retrospective Legend: The Keener Phenomenon at Keener13.com.

For two Keener 13 exhibits inside this website regarding the early-WKNR years in 1964 and 1966, respectively, go here and here. For more on WKNR on MCRFB, go to our extensive, categories archives added here.

Comments? Tell us what you think. You can post your comments clicking on the very last photo (WKNR Building 1965). We’d be delighted you sharing your comments there.

Below pictures of the former WKNR/WNIC AM FM studio building as it stands today. These photographs were taken Saturday, 4:30 – 5:00 p.m., November 3, 2012.



15001 Michigan Avenue, as it looks today. (Photo: Jim Feliciano, November 3, 2012. Camera: Canon EOS Rebel Digital XT)

Another view of the former WKNR/WNIC radio facility in Dearborn, facing east on Michigan Avenue. (Photo: Jim Feliciano, November 3, 2012)

A new double-doorway was added adjacent near the back-side of the building in 2010. In 1983, the WNIC record library was once behind the walls in this back corner area, where the doorway now stands. (Photo: Jim Feliciano, November 3, 2012)

15001 Michigan Avenue. A step closer. The beige facade adorning around the top of the building was added some time after WNIC vacated the building in 2006. (Photo: Jim Feliciano, November 3, 2012)

The view, back of the building, the parking lot. Going from the corner to the left, Jim Harper’s WNIC office was behind the third window in 1983. The cafeteria was located the next window down, closest near the back door. (Photo: Jim Feliciano, November 3, 2012)

Out the back door. View to the left. The affixed lanterns were added to the sides and the back side of the building in 2010. (Photo: Jim Feliciano, November 3, 2012)

From the back doorway. The landscape view of the back of the homes adjacent Seymour Street (block over) is still today as it was during the Keener years, virtually left as unchanged. (Photo: Jim Feliciano, November 3, 2012).

Empty. Up for lease. A close-up shot of 15001 Michigan Avenue in Dearborn, Michigan. (Photo: Jim Feliciano, November 3, 2012)

A frontal spread of the former WKNR/WNIC studio facility, seemingly desolate as it sits today. Photographed from across Michigan Avenue. (Photo: Jim Feliciano, November 3, 2012)

WKNR AM-FM 15001 Michigan Avenue, Dearborn, MI., circa 1965. The greatest meteoric rise from bottom to No. 1 status in Detroit radio history occurred here during the 1960s.


 

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