EYDIE GORME, ’60S POP HITS ICON, DIES AT 84

MarqueeTest-2Eydie Gorme, ‘Blame it on the Bossa Nova’ Singer, Dies at 84

 

The Associated Press | Published NYT/Entertainment / August 11, 2013

 

LOS ANGELES — Eydie Gorme, a popular nightclub and television singer who had a huge solo hit in 1963 with “Blame it on the Bossa Nova,” died Saturday. She was 84.

Edyie Gorme in 1956.
Eydie Gorme in 1956.

Her publicist, Howard Bragman, said Ms. Gorme, who performed as a solo act and as a team with her husband, Steve Lawrence, died at Sunrise Hospital in Las Vegas after a brief, undisclosed illness.

Ms. Gorme was a successful band singer and nightclub entertainer when she was invited to join the cast of Steve Allen’s local New York television show in 1953.

She sang solos and did duets and comedy skits with Mr. Lawrence, a young singer who had joined the show a year earlier. When the program became NBC’s “Tonight Show” in 1954, the young couple went with it.

They married in Las Vegas in 1957.

“Eydie has been my partner on stage and in life for more than 55 years,” Mr. Lawrence said in a statement. “I fell in love with her the moment I saw her and even more the first time I heard her sing. While my personal loss is unimaginable, the world has lost one of the greatest pop vocalists of all time.”

Although usually recognized for her musical partnership with Mr. Lawrence, Ms. Gorme broke through on her own with the Grammy-nominated “Blame it on the Bossa Nova.” The bouncy tune about a dance craze of the time was written by the songwriting team of Barry Mann and Cynthia Weil.

Steve Lawrence and Eydie Gorme circa 1962.
Steve Lawrence and Eydie Gorme circa 1962 (click image for larger view).

Her husband had had an equally huge solo hit in 1962 with “Go Away Little Girl,” written by Gerry Goffin and Carole King.

Ms. Gorme would score another solo hit in 1964, but this time for a Spanish-language recording.

Ms. Gorme, who was born in New York City to Sephardic Jewish parents, grew up speaking both English and Spanish. When she and her husband were at the height of their career as a team in 1964, the president of Columbia Records Goddard Lieberson suggested she put that Spanish to use in the recording studio.

The result was “Amor,” recorded with the Mexican combo Trio Los Panchos.

The song became a hit throughout Latin America, which resulted in more recordings for the Latino market, and Mr. Lawrence and Ms. Gorme performed as a duo throughout Latin America.

“Our Spanish stuff outsells our English recordings,” Mr. Lawrence said in 2004. “She’s like a diva to the Spanish world.”

The couple had an impressive, long-lasting career in English-language music as well, encompassing recordings and appearances on TV, in nightclubs and in concert halls.

Throughout it, they stuck for the most part with the music of classic composers like Berlin, Kern, Gershwin, Cole Porter, Rodgers and Hammerstein, and other giants of Broadway and Hollywood musicals. They eschewed rock ‘n’ roll and made no apologies for it.

“People come with a general idea of what they’re going to get,” Mr. Lawrence said of their show in a 1989 interview. “They buy a certain cereal, and they know what to expect from that package.”

Soon after their marriage, the pair had landed their own TV program, “The Steve Lawrence and Eydie Gorme Show,” which was a summer replacement for Mr. Allen.

Not long after that, however, Mr. Lawrence entered the Army, and Ms. Gorme went on the nightclub circuit as a soloist until his return two years later. Their careers took off.

They appeared at leading nightclubs in Los Angeles, Chicago, New York and Las Vegas, combining music with the comedy bits they had learned on Mr. Allen’s show.

With nightclubs dwindling in popularity in the 1980s, they moved their act to large theaters and auditoriums, drawing not only older audiences but also the baby boomers who had grown up on rock ‘n’ roll.

Eydie Gorme's 'I Feel So Spanish' UA LP (1961)
Eydie Gorme’s ‘I Feel So Spanish!’ UA LP from 1961.

Ms. Gorme was born Aug. 16, 1928 and began to consider a music career while still a student at William Taft High School in the Bronx, where she had been voted the “Prettiest, Peppiest Cheerleader.”

After graduation, she worked as a Spanish interpreter for a time but also sang on weekends with the band of Ken Greenglass, who encouraged her and eventually became her manager.

Her first big break came when she landed a tour with the Tommy Tucker band, and she followed that up with gigs with Tex Beneke, Ray Eberle and on radio and television.

Early in her career, Ms. Gorme considered changing her name, but her mother protested.

“It’s bad enough that you’re in show business. How will the neighbors know if you’re ever a success?” she told her, so Ms. Gorme decided to keep the family name but changed her given name from Edith to Edie.

Later, having grown tired of people mistaking it for Eddie, she changed the spelling to Eydie.

Survivors include her husband, Mr. Lawrence, her son David and a granddaughter. Another son, Michael, died of heart failure in 1986 at age 23.

(Article reprint from AP wire services and nytimes.com online August 11, 2013).

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FLASHBACK MOTOR CITY HAPPENINGS ’71 . . . MARCH 20, 1971

MarqueeTest-2From the MCRFB news archive: 1971

Music Happenings In and Around Detroit Town, 1971

 

 

 

 

 

Detroit's Alice Cooper circa 1971.
Detroit’s Alice Cooper circa 1971.

DETROIT — Producer Jack Richardson, who has worked with RCA’s Guess Who out of Toronto and most recently with Bizarre’s Alice Cooper, is recording in Chicago with Mitch Ryder and his band, Detroit. A new single and album will be out. The finished product will be mixed in Toronto. Ryder follows the sessions with his first tour in six months, covering most of the northwest from April 13 to 25.

Ted Nugent, lead guitarist of Polydor’s Amboy Dukes, married in Florida. He spent his honeymoon touring radio stations in the south talking about the group’s latest album, ‘Survival Of The Fittest.’ Nugent and the Amboy Dukes and Brownsville Station will work together at the Whiskey-A-Go-Go in Los Angeles April 21 through 25. It marks the West Coast debut of both groups, although the Amboy Dukes have been there with different personnel and a different show . . .  New Jersey’s Wadsworth Mansion, now booked out of Diversified Management Agency in Detroit presently taping ‘The Dating Game,’ ‘American Bandstand’ and other TV shows on the West Coast.  The group starts touring March 12 going through North Carolina, Washington, D.C., Pennsylvania, Michigan, Georgia, Louisiana, Tennessee, Arkansas and into Canada April 16, 17, 18 for dates and TV shots.

Ted Nugent 'Motor City Madman'
Ted Nugent aka the ‘Motor City Madman.’

Ike and Tina Turner plan to work on a new album June 1-10 following a two-week stint in Las Vegas. That’s to be followed by 15 one-nighters. They’ll be on the Pearl Baily show Saturday, March 20 .  .  .   Damnation will head into their Cleveland studios for their third United Artist album . . . .  Alice Cooper, along with Ted Nugent and the Amboy Dukes and Brownsville Station, goes to Pittsburgh March 31, Atlanta April 1, Miami April 2 and 3, ten one-nighters to Baton Rouge, Birmingham, Tampa, Jackson, Memphis, Little Rock and winding up at Orlando, Florida April 11. The second-half tour of the 20-day tour is not completed as yet. The swing is booked out of  DMA in Detroit . . . .  The Stooges begin recording their third Elektra LP Monday, March 22 in Los Angeles. The working title for the album is ‘Big Time Bum.’ The group, featuring Iggy, has taken time off from recording and touring to prepare an entirely new act, to be debuted sometime in April . . . .

Local favorites Sunday Funnies will have their first album out for Rare Earth Records. Andrew Oldham, discoverer and early producer of the Rolling Stones, produced the album. The album was recorded in the Motown studios in Detroit.

. . . Jam Band, led by pianist Mike Quatro, took to the stage at the Roostertail as part of the Pop Cycles series put on to help bring young people closer to classical music . . . . Janus’ Teegarden & Van Winkle are working in their home studios for an early April single release. A second Janus album will follow. . . . Savage Grace  will come home to Detroit after living in Los Angeles for six months will they worked on their second album with Reprise. A May tour is planned for the group through DMA, to coincide with the release of the album . . . .

Windsor’s CKLW are currently into their concert promotion field. Their first venture, with Three Dog Night, sold out within five days of tickets going on sale. It took place at the University of Detroit. The next CKLW announcement is expected to be a Steppenwolf – Alice Cooper show for Detroit’s Olympia April 17. . . .  The Supremes are playing a rare local engagement at Windsor’s Elmwood Casino. END

(Information and news source: Billboard; March 20, 1971).

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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * AUGUST 8, 1966

MarqueeTest-2From the MCRFB archived files:

THE TOP 35 HITS ON WXYZ ON THIS DATE IN 1966

 

WXYZ 1270 Detroit Sound Survey; Week no. 17 issued August 8, 1966 under Lee Alan, Program Director; WXYZ

 

 

wixie153(WXYZ 1270 Detroit Sound Survey for August 8, this date 1966; survey courtesy the Jim Heddle Collection. For the previous weekly WXYZ August 1, 1966 survey click here).

http://www.youtube.com/watch?v=88N8L7WX7-c

WXYZ Detroit Sound Survey No. 15: “That’s Enough,” by Rosco Robinson, this date in August 1966.

wixie174

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WTWR MAKES BIG SWITCH OVER TO COUNTRY . . . MAY 1, 1982

MarqueeTest-2From the MCRFB news archive: 1982

Plug Pulled on Todd Wallace’s Hot 100 Format at WTWR-FM

 

 

 

 

 

DETROIT — Bill Ward, new president of Golden West’s radio division, has pulled the plug on Todd Wallace’s Hot 100 format at WTWR-FM here 15-weeks after its introduction, to take the station into a country format and market an AM-FM Country combination along with WCXI-AM.

WTWR - TOWER 92John Risher, AM general manager, who takes over the helm for both stations, says the new format will be introduced Monday (May 3) and will share no simulcast hours with WCXI. While each station will have a slightly different approach to country — the AM will be more information, the FM will be more music — Golden West has applied to change the FM call letters to WCXI-FM.

The changes does not mean that the Wallace consulted format did not succeed — the station moved to a 3.5 share in the winter Arbitron, up from 3.0 in the fall when the station was playing oldies — but it represents a concern on the part of Golden West management that the company must consolidate its position. “This is an expensive market to do business in,” says Risher. “We’ve moved into a protective situation for our country format in this market.”

WCXI was seen as a long-range disadvantage to WWWW-FM, which last year switch switched to country and, until the latest Arbitron, was beating WCXI — by as much as a 5.6 share to 3.0 in the fall Arbitron.

Risher points to his new program director Larry Patton as making the difference. WCXI moved up to a 4.1 in the winter book, from 3.4 in the fall. Patton will now program both the AM and FM. WTWR program director Steve Schram is leaving the station. Patton arrived at WCXI in February from WCUZ-AM-FM Grad Rapids, Michigan.

Risher says Patton has given more discipline to the AM’er and made the playlist “much tighter.” He is expected to do the same thing with the FM. Risher says, “We weeded out the non-hits. We cut our library by 1,500 records. We’ve brightened the sound.”

There are several changes in the jock lineup, too, affecting Michael Kelly and Tom Lawrence. Other jocks are being hired, but Risher declined to disclose their identity at press time because not all have informed their present employers.

WTWR general manager Victor Ives will leave the station to return to his native California and an expected post on the Golden West corporate staff. END.

(Information and news source: Billboard; May 1, 1982).

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SATURDAY NIGHT BEECH-NUT SHOW WITH DICK CLARK

THE DICK CLARK SATURDAY NIGHT BEECHNUT SHOW, NEW YORK, 1958
DICK CLARK’S SATURDAY NIGHT BEECH-NUT SHOW, THE LITTLE THEATER, NEW YORK CITY 1958

 

The Dick Clark Saturday Night Beech-Nut Show was Dick Clark’s second attempt at a prime time show. His first, a prime-time version of American Bandstand, ran only 13 weeks. The Beechnut Show was much more successful lasting almost 3 years.

Bobby Darin and Annette, photographed here,  both made several guest-appearances on Clark's Beech-Nut Show in 1960. (Click image for larger view).
Bobby Darin and Annette, photographed here, both made several guest-appearances on Clark’s Beech-Nut Show in 1960. (Click image for larger view).

The Dick Clark Saturday Night Beechnut Show was broadcast live Saturday nights from the Little Theatre in New York City. Every weekend, Dick Clark commuted from Philadelphia to NYC to do the “Beechnut” show. There was actually two shows done each Saturday. The first was a rehearsal show where the artists could sketch out their performances and Clark could line everything up. This would have a different audience then the second show which was the one that was televised.

Beechnut Gum was actually picked up as a sponsor for the third episode to the conclusion of the show’s run. The artists that appeared usually “lip-synched” to their records. Very few actually performed live.

This is the only show to be able to make the claim of having Buddy Holly, Ritchie Valens and the Big Bopper as guests (though on different episodes). All three were killed together in a plane crash on February 3, 1959.

Amazingly, Elvis Presley and Ricky Nelson, two of the biggest stars of the period, never appeared on the show. The first show aired on February 2, 1958 with guests Jerry Lee Lewis, Chuck Willis, Johnny Ray and the Royal Teens. The final show aired on September 10, 1960. MORE . . . .

Annette Funicello appearing on The Dick Clark Beechnut Show in 1960.
Annette Funicello appearing on The Dick Clark Beechnut Show in 1960.

Addendum: For our first four initial video posting of ‘Saturday Night Beech-Nut Show with Dick Clark,’ on MCRFB (May 10, 2013), go here.

Above information provided by TV.com. For the complete 1958-1960 Dick Clark Beech Nut Show summary and artist-appearance listing for every show, go here to TV.com.

Motor City Radio Flashbacks will be showcasing many of these *rare* Dick Clark video presentations here on this website from time to time. In this second installment, we present four video classics (below) from the Dick Clark Beech-Nut show as was first broadcast on national television during that memorable late-’50s rock and roll era:

Conway Twitty (January 17, 1959). Everly Brothers (July 09, 1960). Little Anthony & The Imperials (January 02, 1960). Annette Funicello  (January 13, 1960).



Beech-Nut Chewing Gum was the sole sponsor on Dick Clark's Beech-Nut Show Saturday Night 1958-1960
Beech-Nut Chewing Gum: sole sponsor for Dick Clark’s Saturday Night Beech-Nut Show over ABC Television 1958 – 1960

Dick Clark Beechnut Show logo

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WHAT IS CANADIAN CONTENT? CKLW PLAYS OUT ANSWER . . . JUNE 19, 1971

MarqueeTest-2From the MCRFB news archive: 1971

CKLW Says Rhythm Is Not Included

 

 

 

 

 

TORONTO — A loophole in the Canadian content legislation has arisen, centered on the Windsor radio station, CKLW, which is located on the Canadian side of the Detroit River and is a top rated radio station in Detroit, Toledo and Cleveland.

CKLW Top 30 Music Guides '70s.
CKLW Top 30 Music Guides ’70s.

The station has been playing several U.S. soul records recorded by U.S. producers which have been submitted as Canadian content material although the rhythm tracks were laid down at Toronto studios. Overdubbing and mixing were done in the United States.

In the Canadian content legislation, launched in January by the CRTC, the country’s broadcast governing body, a station is required to broadcast 30 per cent of all musical composition in at least one of four categories — instrumentation and lyrics were principally performed by a Canadian, music composed by a Canadian, lyric written by a Canadian and the live performance was wholly recorded in Canada.

The last category is the section that raises the controversy. CKLW vice president of programming, Alden Diehl, said that, in his opinion, the R&B disks programmed were legitimate Canadian product.

Navin Grant, chairman of the Maple Leaf System, which picks product for radio play, had this to say, “I personally would have a lot of questions about whether such performances are Canadian or not. We certainly wouldn’t review them on the MLS although they have not been submitted.

“We could do with some more definition on some of these points from the CRTC.”

CKLW programmed the Janis Joplin single, “Men And Bobby McGee,” as Canadian content because members of the back-up group, Full Tilt Boogie Band, were born in Canada.

However, the CRTC reportedly does not consider two members of a back-up group as principal performers. END.

 

(Information and news source: Billboard; June 19, 1971).

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WXYZ-AM 1270 * THE DETROIT SOUND SURVEY * AUGUST 1, 1966

MarqueeTest-2From the MCRFB archived files:

THE TOP 35 HITS ON WXYZ ON THIS DATE IN 1966

 

WXYZ 1270 Detroit Sound Survey; Week no. 16 issued August 1, 1966 under Lee Alan, Program Director; WXYZ

 

 

wixie152(WXYZ 1270 Detroit Sound Survey for August 1, this date 1966; survey courtesy the Jim Heddle Collection. For the previous weekly WXYZ July 25, 1966 survey click here).

http://www.youtube.com/watch?v=xolBy6zFxSg

WXYZ Detroit Sound Survey No. 09: “Wade In The Water,” by The Ramsey Lewis Trio, this date in July 1966.

http://www.youtube.com/watch?v=U5Lz7QXf9oA

WXYZ Detroit Sound Survey No. 32: “Turn Down Day,” by The Cyrkle, this date in August 1966.

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MAJOR RADIO CHANGES, CUTS ABOUND AT CKLW / CFXX . . . OCTOBER 27, 1984

MarqueeTest-2From the MCRFB news archive: 1984

Windsor FM Outlet to Easy Listening, AM to Nostalgia; 45 Cut from Staff

 

 

 

 

 

DETROIT — While no official word had been released at press time, the rumblings across the river in Windsor, Ontario have changes — and plenty of them — coming from CKLW/CFXX.

Word is that 45 of the station’s 75 employees are no longer with the border outlets, which are set to be switching formats, including longtime music director Rosalie Tromley, who had served in that capacity since CKLW’s influential heyday in the ’60s.

CKLW-FM logo.The moves come on the heels of two developments: CKLW/CFXX’s sale from Baton Rouge Broadcasting to CUC Ltd. (Billboard, September 22), and the subsequent announcement from the Canadian Radio-Television & Telecommunications Commission that it would be flexible in the handling of the stations in Windsor.

The CRTC regulations, involving such areas as format restrictions and Canadian content requirements, were long held responsible by many observers for CKLW’s faltering ratings. The CRTC’s rigid guidelines, including the banning of Top 40 on FM, were said to have led in part to Baton’s sale.

Rosalie Trombley. Photographed here with Bob Seger, Bruce Springsteen at Pine Knob in 1970.
Music director Rosalie Trombley was discharged at CKLW. Photographed here, Trombley stands between Bob Seger and Bruce Springsteen at Pine Knob in 1970.

Prior to that transaction, Baton had planned to take nostalgia-formatted CFXX in a Top 40 direction as “The Foxx,” only to reassess those plans when assured the license would be in jeopardy.

With the lifting of the restrictions, it was assumed that plans for that switch would again be underway. But the surprising word amidst the flurry of firings had the FM nostalgia  programming moving to to the AM operation (now transitioned from top 40 to AC), with CFXX-FM adopting a compatible easy-listening approach. END.

(Information and news source: Billboard; October 27, 1984).

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